“A marvelous way to tell a difficult story”

The upcoming Austin SCBWI Graphic Novel Workshop on Saturday, October 5 promises to be a day for writers and illustrators, writer-illustrators and anyone interested in exciting alternative literary forms for children, teens and young adults. OK, plenty of adults read them, too.

Webcomics creator, animator, digital content creator and our SCBWI (Society of Children’s Book Writers and Illustrators) chapter’s intrepid webmaster Erik Kuntz of Square Bear Studio talked with me about graphic novels, why they matter and what workshop attendees can expect from what could well be the first SCBWI  conference devoted solely to graphic novels that we know of.

You can see the full playlist of Erik’s and my video discussion of the workshop and the art form here.

Austin is a natural location for such a workshop, having been home  to many notable cartoonists and comic book artists in their earliesh careers, including William Sidney Porter (otherwise known as the short story writer “O. Henry” who illustrated his Austin humor newspaper The Rolling Stone with a lot of his own humorous line art; Roy Crane, who pioneered the ‘adventure comic strip’ with Wash Tubbs, Captain Easy and Buz Sawyer, Gilbert Shelton, who also attended the University of Texas at Austin and conjured the Wonder Wart Hog and The Fabulous Furry Freak Brothers in some of the first ‘underground comics’ of the early 1960s — and children’s book author-illustrator Berke Breathed, famous for the Pulitzer Prize winning Bloom County strip of the 1980s, ten years after he did his first comic strips for the University of Texas at Austin  student newspaper The Daily Texan. 

Dave Roman's "Astronaut Academy"

Dave Roman’s “Astronaut Academy” (First Second Books

As Erik shares with us in the video playlist, The Graphic Novel workshop will feature First Second Books senior editor Calista Brill, graphic novelist author-illustrator Dave Roman, whose children’s graphic novel series Astronaut Academy is published by First Second, and graphics novel writer Cynthia Leitich Smith, whose graphic novels Tantalize: Kieran’s Story (Candlewick Press) and soon to be published Eternal: Zachary Story (also Candlewick Press) stem from her own best-selling Tantalize YA Gothic fantasy series. (Candlewick Press.)

Tantalize: Kieran's Story by Cynthia Letiich Smith, illustrated by Ming Doyle

Tantalize: Kieran’s Story by Cynthia Letiich Smith, illustrated by Ming Doyle

The workshop will occur on the St. Edward’s University campus at 3001 South Congress. Registration tables open at 9 a.m. and you can also register online and read more about the workshop here.

You can check out Erik’s own webcomics series, Hex Libris here.

Enjoy the interview of Cynthia in Cynsations by Austin SCBWI regional advisor Samantha Clark about her work in graphic novel and this Q&A style post, Graphic Novels: What are they and why should I care? on the Austin SCBWI website.

"Hex Libris" webcomic serial by Erik Kuntz
“Hex Libris” webcomic serial by Erik Kuntz

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Mark Mitchell, who wrote wrote this post teaches a children’s book illustration class at The Contemporary Austin Art School at Laguna Gloria and his online Make Your Splashes – Make Your Marks! course.

Click on the below image to enjoy the recent presentation by author- illustrator CS Jennings.

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“Speak the language.” Children’s book illustrator E.B. Lewis shares his emotional work and words

Earl Gradley Lewis demonstrates at the Austin SCBWI conference

“Art is a language,” Children’s book illustrator E.B. Lewis told a roomful of illustrators, aspiring and professional. “Speak the language.”

What is a language, Lewis asked. “In spoken language, it’s the letters of the alphabet that join together to form words, then paragraphs. And finally stories and jokes,” he answered his own question.

The mark of fluency? Maybe not what you think. “Telling a story is not the most important part. It’s telling the joke,” he said.

“Being able to tell the joke — and everybody in the room gets the joke and laughs — is when you know you’ve mastered the spoken language.”

The conference had reserved this informal session for those who’d submitted portfolios in the Austin Society of Children’s Book Writers and Illustrators (SCBWI) 2013  Conference, Kick it Up a Notch. 

In this same conference room at St. Edward’s University the year before, the group had listened to Senior Art Director Patty Ann Harris of Little, Brown Publishers. The year before that,  illustrator, designer and SCBWI advisory board member David Diaz had huddled with the illustrators.

Now it was Lewis, one of the finest watercolor artists in the U.S. and an illustrator since 1992 with 58 picture books and many awards to his credit, including a Caldecott Honor and the Coretta Scott King Award. A few hours before he’d delivered the conference keynote address. Now he was hunkered down with his art colleagues, discussing…hmmm, of all things, languages.

The Caldecott Honor winning "The Other Side" by Jacqueline Woodson, illustrated by E.B. Lewis.

The Caldecott Honor winning “The Other Side” by Jacqueline Woodson, illustrated by E.B. Lewis.

So what was the basic building piece or element of a work of visual art, he asked the gang. “For writing, it’s the word. For music, it’s the note, right? For dance, it’s the step,” he said.

“For drawing, it’s the the stroke. A painting is a string of strokes. With these building blocks, basic units there’s a thought process that takes place, right?

“Most of you are just learning the language. You can’t tell a story yet. You definitely can’t tell a joke.”

Fluency in a language demands practicing what you love, investing those requisite 10,000 hours into your craft — even if it’s at the price of sleep, Lewis said.

For illustrators fluency means knowing your story characters — their thoughts and sensations, “nuances and small movements,” he added.

From "The Other Side", watercolor illustration by E.B. Lewis
From “The Other Side”, watercolor illustration by E.B. Lewis

“Take your characters to lunch. Research your scenes. Immerse yourself in your subject and dig in the dirt until you can smell it.

“For every composition you’re developing an entire world. Because we’re storytellers.”

EB Lewsi watercolor demonstration

At a special workshop session on Sunday, after the conference he was pressed to demonstrate his watercolor technique, off the cuff and handed paints, a palette and some magazine photos for ideas. That’s what you’re seeing in the videos. Sorry I couldn’t get in closer. I didn’t want to disrupt him or the attendees packed 360 degrees around him.

EB Lewis talking to elementary students at The Legends School

A few days before the conference at a private K-12 Classical Christian school in West Austin called The Regents, Lewis had told a library teeming with first graders “The reason you come to school is to discover your passion and prepare yourself for it.”

“Meet your tribe,” he exhorted the 6th and 7th grades. Not a false tribe, like a gang they had to conform to, but their “true tribe,” the group who shared the same passion for a subject that they did. Students seemed to hang on his words.

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“Each Kindness” by Jacqueline Woodson, Illustrated by E.B. Lewis

His message to the kids stayed consisted that day about self-direction, finding one’s own way, never settling or giving up or feeling badly about coming from behind. Perhaps because that’s his story. He didn’t really find his way as an artist until his thirties. The children’s books came even later.

Not one of his youthful experiences suggested the success he enjoys now in the arts and publishing. Lewis is quick to describe himself as an elementary grade under-achiever. Dyslexia made it hard to read or study and his clowning antics did a poor job of masking his lack of confidence in the classroom. He flunked the third grade. The problems with teachers continued through middle school. But Lewis credits a college professor uncle for getting — and keeping him in Saturday morning art classes, starting in the sixth grade. In those museum classes, under the tutelage of painter Clarence Wood, Lewis discovered drawing and painting.

For another, recent picture book by Jacqueline Woodson, "Each Kindness." Illustraiton by E.B. Lewis

For another, recent picture book by Jacqueline Woodson, “Each Kindness.” Illustration by E.B. Lewis (Putnam)

He found his way, eventually to voracious reading — nonfiction and literature. The arts became his passion and those who painted, his tribe. After high school, he pursued graphic design, illustration and art education at the Tyler School of Art at Temple University.

Still the road was slow. He worked for many years in the public schools, first as a teacher’s assistant, later as an art teacher. The watercolor work he did on weekends and late at night, while his family slept.

Illustration by E.B. Lewis for "Each Kindness" by Jacqueline Woodson (Nancy Paulsen Books, Penguin)

Illustration by E.B. Lewis for “Each Kindness” by Jacqueline Woodson (Nancy Paulsen Books, Penguin)

So a long, roundabout journey of working quietly behind the scenes, perfecting his art.

One day a children’s book artists’ agent, Jeff Dwyer contacted Lewis. His agency partner Elizabeth O’Grady had read a feature about him in and seen his watercolors in The Artists Magazine.

“I don’t do children’s book illustration. I’m a fine arts gallery painter,” Lewis responded (in my distillation of their conversation.)

From "Each Kindness", illustration by E.B. Lewis

From “Each Kindness”, illustration by E.B. Lewis

“Yes. Have you looked at any children’s picture books lately?” Dwyer replied before tossing out some names — Jerry Pinkney, Barry Moser and Chris Van Allsburg — for Lewis to check out.

The rest of the story you can find on the book blurbs and Lewis’s website.

It’s that meandering come-from-behind journey I think that informs his striking empathy for children — in the ways he depicts them with such vulnerability in his pictures and interacts with them in life. It’s something special to see. Even the seventh graders listen intently and believe when he tells them, “Mediocrity is self inflicted. Genius is self-bestowed.”
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My plaque for serving three years as Austin SCBWI Illustrators Coordinator and the special surprise that came with it -- the first two books in the Critter Club series by Callie Barkley, illustrated by Austin SCBWIer Marsha Riti, whom I met in the children's book illustration class I teach at AMOA/Arthouse Laguna Gloria. Marsha will be illustrating the entire series being published by Little Simon.

My award for completing a three year term as Austin SCBWI Illustrators Coordinator and special surprise that came with it — the first two books in The Critter Club series by Callie Barkley, illustrated by Marsha Riti, whom I met a few years ago in the children’s book illustration class I teach at AMOA/Arthouse Laguna Gloria. Austin SCBWI’s Marsha will illustrate the entire series being published by Little Simon, Simon and Schuster.

The Critter Club books (first two) illustrated by Marsha Riti of Austin SCBWI

Award winning author Cynthia Levinson reads from her hit nonfiction children's book "We've Got a Job"(Peachtree Publishers) about the  1963 Birmingham Children's March. It was one of several readings and talks at the "Kick It Up a Notch" pre-conference Friday receptionat the Austin Children's Museum.

Award winning author Cynthia Levinson of Austin SCBWI reads from her hit nonfiction children’s book “We’ve Got a Job”(Peachtree Publishers) about the 1963 Birmingham Children’s March. It was one of several readings and talks at the “Kick It Up a Notch” pre-conference Friday receptionat the Austin Children’s Museum.

Picture Book author Shutta Crum and SCBWI Crystal Kite Award-winning illustrator Patrice Barton talk about their collaboration on the picture book "Mine!" (Knopf)

Picture Book author Shutta Crum and SCBWI Crystal Kite Award-winning illustrator Patrice Barton talk about their collaboration on the picture book “Mine!” (Knopf) at the Austin conference.

I'm joined by SCBWI author friends Julie Lake, Cynthia Leitich and Liz Garton Scanlon at the Friday reception. (Photo by Greg Leitich Smith)

I’m joined by Austin SCBWI author friends Julie Lake, Cynthia Leitich and Liz Garton Scanlon at the Friday reception. (Photo by author Greg Leitich Smith)

EB Lewis talking to middle schoolers at the Legends Schoolo

Redesigning lost treasures

Hardy Boys, "The Tower Treasure

Students of the Make Your Splashes – Make Your Marks! online course on children’s book illustration are busy re-designing covers for the first-ever Hardy Boys book or the first ever Nancy Drew mystery in a mock assignment given them by art director Giuseppe Castellano of Penguin/Grosset & Dunlap, which was the original publisher of both series. Students have until April 20 to complete their final art, following Castellano’s specifications. Many thanks to Marks and Splashes student Pooja Srinivas for digging up some of the original covers for class reference!

Nancy Drew Covers

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Talking Dummies with Wendy Martin

Catching Willie Mays (in a children’s book illustration)

How perfect that award-winning children’s book artist Terry Widener has done the pictures for the new picture book by Jonah Winter (just released by Schwartz and Wade) about the greatest all around baseball player ever — Willie Mays.

Terry brings a background of high level advertising and editorial illustration and something else to the many children’s books he’s done on sports figures: The sensibility of a gifted athlete.

Too small to play football on school teams, Widener focused on baseball and mainly golf, which he still avidly plays. In fact he attended art school at the University of Tulsa on a golf scholarship.

After graduation Terry had to choose between two job offers — one as the golf pro at a country club, the other as an ad agency art director. It could have gone either way; Terry went the advertising art route because it paid just a little more per week.

He went on to do design and illustration work for major publications and ad agencies — for national and international clients like Coca Cola, Burger King, The Franklin Mint and Aesculap (a German orthopedic implant manufacturer. )

His first kids’ book illustrations were for Lou Gehrig — The Luckiest Man by David Adler (Gulliver Books/Harcourt Brace) named a Boston Globe/Horn Book Honor book, a Texas Blue Bonnet Reading List selection, an American Library Association Notable Book of the Year and an SCBWI Golden Kite Finalist, and received the IRA Teacher’s Choice Award.

Since then his books have attracted more honors and recognition,  including Smithsonian Notable Book of the Year, School Library Journal  Best Book of the Year, the Junior Library Guild List, the Society of Illustrators Original Art Show, the Bank Street Best Children’s Book of the Year and other awards.

Terry paints in acrylics. He’s experimented with a variety of styles in this medium, though now he works in a more painterly, naturalistic style, in the “Old School” children’s book art style of N.C. Wyeth and Howard Pyle.

That he’s done so many children’s biographies of sports heroes is purely coincidence, he says. What’s no coincidence is the sophisticated-simple design that he brings to these pictures of action and excitement in the ball field, boxing ring and competitive swim lanes — and the comfy authority with which he treats historical settings and scenes.

These videos are excerpts from an in-depth interview Terry gave me for students in the Make Your Splashes — Make Your Marks! course. For more information about this online course on illustrating children’s books, or to receive e-mail news from the “Marks and Splashes” online learning community, go here.

You Never Heard of Willie Mays? by Jonah Winter (Schwartz and Wade) features a lenticular cover illustration. You know those “wiggle pictures” that seem to move when you look at them from different angles? You’d find them  sometimes as surprises inside Cracker Jacks boxes. Schwartz and Wade wanted to use lenticular printing for the covers for this series of picture book sports bios.

The process required Widener to come up with three paintings for the cover. The paintings would animate Mays knocking the ball out of the park, in one of those 50 home run hits of his career.

Terry had to model himself swinging a bat to avoid relying solely on the photos and videos he’d pulled together of the real Willie Mays in the moment — lest he and the publisher end up in a battle with The New York Times and Sports Illustrated over intellectual property!

When dealing with images of sports icons and other stars, be careful to not copy your source material, Terry cautions. Your references are probably all copyrighted!  He couldn’t even render newspaper sports pages of the day as they were, he says. To use them in an illustration he had to change them up a bit — even the wording in the headlines!

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With his art director wife Leslie Widener (also a children’s book author-illustrator) Terry lives in a 100-year-old house in historic McKinney Texas, a few miles north of Dallas, Texas. They’re members of the North Texas chapter of the Society of Children’s Book Writers and Illustrators (SCBWI.)

Terry enjoys doing school visits and receives many invitations for them each year. He can often be coaxed to draw for students in a collaboration where they “art direct” his improvised sketches on the white board.

For a list of Terry’s books and awards go here and to see the covers of some of his books, go here.

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Terry doesn’t illustrate only books on sports heroes. He takes on a variety of projects, like this series of picture books on folks songs with Peter Yarrow of Peter, Paul and Mary.

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IMAGMark and Terry (Laura photo)

Mark Mitchell and Terry Widener share a chuckle at Texas Educational Service Center Region One school librarian’s conference in Harlingen, Texas in September 2012.
(Photo by children’s author-poet Laura Purdie Salas) http://www.laurasalas.com)

Austin SCBWI Kick It Up a Notch! conference delights and inspires 

Renowned illustrator and fine artist E.B. Lewis headlined the Austin SCBWI 2013 conference, Kick it Up a Notch! last weekend at St. Edward’s University. (Below) E.B. drew for pre-K and K students at the Regents School in Austin, Texas.

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He also inspired middle grades at the school.

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E.B. Lewis dazzled illustrators and writers alike with an impromptu watercolor demonstration at a Sunday workshop following Kick It Up a Notch!

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Austin, Texas based illustrator Patrice Barton received the SCBWI Crystal Kite award for her art for the picture book Mine! by Shutta Crum (Knopf) in the reception that kicked off the Austin conference. She and Crum presented a workshop about the making of Mine!.
See the video interview Patty did with this blog about illustrating Mine!

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Caitlin Alexander won first place in the conference Portfolio Showcase that was judged by E.B. Lewis, publisher Neal Porter and agent Rubin Pfeffer. Caitlin receives full tuition to next year’s Austin SCBWI conference and a $200 cash prize from the social media firm, Alter Endeavors, owned by Austin SCBWI’s Nick Alter. Erin McGuire won second place and Laura Logan and Amy Farrier tied for third place in the portfolio competition. All won gift cards from Jerry’s Art Supplies. Photo by author Cynthia Leitich Smith.

Google Drive for Artists free replay

Sign up to see the full recording of the workshop on Google Drive and other great Google tools for illustrators, presented by Pooja Srinivas. Yes, it’s free!

And finally, here is my nomination and vote for the ultimate Valentines Day book.

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Mark Mitchell, who sometimes edits this blog wrote this post.

Mary’s magic

Children’s book illustrator Mary Sullivan will add “author” to her extensive illustration credits when her new picture book Ball comes out from Houghton Mifflin Harcourt this Spring.

Based on the ball chasing dog Mary never had, Ball uses only one word, repeatedly to tell of a dog who dreams of chasing a certain red ball.

The Junior Library Guild, a library collection development and review service used by school and public libraries across the U.S. has selected Ball for its Spring 2013 catalog. I predict more nods like this in the coming months because the book is a treasure — a wacky treasure in the Mary Sullivan drawn-style, which is to say that it’s universal and very funny.

Originally from San Antonio, Mary graduated with a B.F.A from the University of Texas. While raising her family in Austin she ran a personalized greeting card business that featured her original designs and “cartoons” (a word not really up to capturing her art that you can see in the videos above and on her blogwebsite and agent’s site.)

Drawing cards led to illustrating a story for Highlights for Children magazine, which led to more assignments from Highlights and book publishers such as Scholastic, Innovative Kids, School Zone, Oxford Press UK, Pearson and other educational and trade presses.

Most recently she’s completed a series of picture books for Zondervan (HarperCollins) by popular TV evangelist and author Joyce Meyer.

Below she talks about the challenge of keeping her drawings fresh as she moves them through the stages to final art.

Actually Mary did have a dog and Ball is dedicated to the memory of him. He was more interested in joining her for soulful walks in the woods than playing sports. He never played ball, but he kept Mary company while she worked long hours on deadlines.

I first interviewed Mary back in 2008 on my blogA second post showed a black and white dummy draft Mary did for the picture book Frog Jog by Barbara Gregorich (School Zone Publishing.)

She talked with me again recently — this time for students of the Make Your Splashes — Make Your Marks! online course. She showed F&Gs for Ball and gave us a glimpse into her illustration process that involves pulling her done-by-hand drawings into Photoshop and adding colors and shadows digitally. The videos here are a snippet from our recorded interview for the class.

A hands on Digital Symposium

Entrepreneurial artists and writers convened on the third floor of Fleck Hall at St. Edward’s University October 6 to learn about tools of the “new” publishing. Guest instructor, author and consultant Kirsten Cappy, with the digerati of Austin SCBWI introduced The Nuts and Bolts of Success with WordPress, Photoshop, Book Creator, iBooks Author, social media, making video book trailers for the web and more.

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Austin SCBWI assistant regional adviser Carmen Oliver set up a conference blog on Blogger on the spot to electronically seize the day of discovery, helping, fun and friendship.

Google + for Artists

Pooja's Google+ workshop screenshot

Watch Pooja Srinivas’ video presentation, Google+ for Artists and Illustrators  — and discover how to network, find and build community, extend your reach and promote your art and illustration with free Google+ tools.  Go here for Pooja’s superb 80 minute workshop.

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Illustrator E.B. Lewis heads up the Austin SCBWI 2013 conference, Kick It Up a Notch

A few years ago  American Artist Watercolor magazine assigned me to interview E.B. Lewis for an article. His realist watercolors were so exquisitely sensitive yet seemed so effortless. I was just as struck by his passion for excellence in his work and teaching and inspiring)his fellow artists.

He insists on watercolor even when he’s painting for galleries and collectors. Watercolor is an anomaly in a market fixated on oil and acrylic creations. Except for the signature Earl B. Lewis that he uses for his fine art pictures, it’s hard to tell the difference between these and his children’s story illustrations that are among the “finest art” ever produced for book publishers.

Lewis will deliver the keynote address for the Austin Society of Children’s Book Writers and Illustrators (SCBWI) 2013 conference. Kick It Up a Notch, set for February 8-10 at St. Edward’s University will also feature Crystal Kite award winning illustrator Patrice Barton and author Shutta Crum, Caldecott Honor author Liz Garton Scanlon, author Cynthia Levinson, editors Neal Porter, Kathy Landwehr, and Tamra Tuller and literary agents John Cusik, Erzi Deak and Rubin Pfeffer. Learn more about the gang on the conference faculty sheet.

Sign up for a special illustration intensive workshop with E.B. Lewis and/or portfolio and manuscript consults with the agent or editor of your choice (while time slots remain.) Download the complete conference info packet with registration forms.

Help Save the Farm

My friend Richard Johnson is on the home stretch of his Kickstarter campaign for his novel Saving the Farm — a fictional account of a marriage counseling workshop at a bed and breakfast in Maine and the documentary crew that comes to film it.

Richard Johnson

Richard Johnson

See the video on his Kickstarter page and consider kicking in as a backer.

Kickstarter is a funding platform for creative projects, everything from films, games, and music to art, design and technology,” states the main page of this site.

If you’ve never explored Kickstarter, Richard’s endeavor provides a fine introduction. Take a look at his video and positive proposal. For a keen understanding of the crowd-funding phenomenon, jump in with a small pledge.

It’s SCBWI conference scholarship time

National SCBWI is now accepting applications for scholarships (for full-time college or graduate school students) to the 2013  SCBWI Winter Conference in New York. For more information and instructions on how to apply, go here.

Entries now being accepted for the Tomie dePaola lllustrator Awards

December 14 is the deadline for the 2013 Tomie dePaola Illustrators Awards 2013. It’s all about classic chapter books this year.  Try a black and white scene from a novel by Louisa May Alcott, Tom Sawyer or Marjorie Kinnan Rawlings. Read the official guidelines and learn how to send your art to the contest’s “unofficial” online gallery established by SCBWI Houston Illustrator Coordinator Diandra Mae.

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Children’s book author-illustrator Mark Mitchell penned this post and did a short video on the “best drawing secret.” 

Author-illustrator Mary Sullivan

How to build a robot in Quark

Children’s book author-illustrator Annette Simon works hard to make her picture books playful. Or, maybe more accurately, she plays hard to make her picture books work.  

Her Robot Zombie Frankenstein! (Candlewick Press) delivers an exhilarating,  escalating battle of wits, creativity, costumery and dessert in 72 words.

The bright pictures suggest Colorforms — the plastic stick-ons found in kindergarten toy boxes — but they’re not. Annette illustrates with her computer mouse, using QuarkXpress, an old program for creating page layouts.

To make a shape she clicks and drags the Quark “photo box” across her screen, then pops a color into the outline.  She develops her characters by artfully layering these colored slices.

And somehow she makes them — her characters, the mechanical dueling bots — feel like people we know as well as our own siblings.

A savvy, award-winning creative director, Annette worked at the national advertising and graphic design firm GSD&M in Austin, Texas for several years before she and her husband moved to Neptune Beach, Florida. Today she writes and draws books for young readers and works part-time at the indie book store The BookMark.

Below, more nuts and bolts re: her Robot Zombie Frankenstein! art-making:

The videos are excerpts from an on-camera interview, including a discussion on book cover design that she gave for students of the Make Your Splashes – Make Your Marks! course. You can see more of her interview and photos from her July signing party with her Austin SCBWI pals here

Below (as promised in the video), the steps for constructing a robot in Quark, starting with a purple box: (courtesy of Annette Simon) 

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Jump to see more of Annette’s interview, including her thoughts about her process, revising and working with her long distance critique group.

Digital Symposium II October 6

The second annual Austin SCBWI Digital Symposium set for Saturday, October 6 at St. Edward’s University in Austin, Texas, features hands on training on digital art-making, WordPress, book video-trailer making for YouTube and lots more.

These Xtra Normal guys say they definitely are going. The symposium trailer is by animator and online comics creator Erik Kuntz, who is also our SCBWI chapter’s webmaster and will lead the workshops on Anime Studio and Manga Studio. You’ll find details on the workshop and presenters and your registration packet here.


Illustrator E.B. Lewis headlines 2013 Austin conference, Let’s Kick it Up a Notch

E.B. Lewis Art

Watercolor illustration by E.B. Lewis

It’s official! Renown children’s book illustrator and fine artist E.B. Lewis will review portfolios and conduct a special Sunday illustrators’ intensive at the Austin SCBWI 2013 Regional ConferenceFebruary 8-10 at St. Edward’s University. He’ll be joined by an extraordinary conference faculty that will include agents, authors, editors art directors and senior children’s book publishing execs.

To drop just a few names: SCBWI Crystal Kite award winning illustrator Patty Barton and and author Shutta Crum, literary agent with S©ott Treimel NY John M. Cusick, best-selling YA author Cynthia Leitich Smith,  Senior VP and publisher of Simon and Schuster Books Rubin Pfeffer, Caldecott Honor author, poet Liz Garton Scanlon, Macmillan Children’s Books publisher Neal Porter.

And that’s not everyone. Download your copy of the Kick it Up a Notch faculty sheet and the registration packet

P.S. The August 26 post on Seven Impossible Things Before Breakfast features E.B. Lewis’ stunning illustrations for Jacqueline Woodson’ s picture book on children’s cruelty,  Each Kindness.

Google+ tools for artists and illustrators — free workshop

Pooja's Google+ workshop screenshot

Hey illustrators! If you haven’t yet seen Pooja Srinivas’ Google Hangout presentation, Google+ for Artists and Illustrators you’ll probably want toIn her fast-moving 80-minute recorded workshop, she shows us how to find and build community, network and promote our art with free Google+ tools. Discover a fabulous, huge resource that’s as close and accessible to you as your Gmail account. See Pooja’s free workshop.

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Jump to see more of Annette’s interview, including her thoughts about her process, revising and working with her long distance critique group.

Children’s book author-illustrator Mark Mitchell wrote this post. Watch his short video on the “best drawing secret.”

Annette Simon addresses a packed second floor at her signing for “Robot Zombie Frankenstein!” at BookPeople in Austin  in July.

Curious business

Children’s book illustrators and anyone absorbed in the curious business of children’s book illustration,

Do you find it interesting, as I do that the big commercial for Google’s Nexus 7 features a little girl and her mom reading a Curious George story on the device?

Google, in its elegant way used a simple illustrated page from a classic children’s picture book series to introduce its new tablet to the world.

From the Wikipedia entry:  “The series was written and drawn by the team of Hans Augusto Rey and Margret Rey. The couple fled Paris in June 1940 on self-made bicycles, carrying the Curious George manuscript with them. At first only H. A. Rey was credited for the work in order to distinguish the Reys’ books from the large number of children’s books written by female authors. Later, Hans Rey was credited for the illustrations and Margret Rey for the writing. ”

Google+ tools for artists and illustrators — a free workshop

Pooja's Google+ workshop screenshot

Watch Pooja Srinivas’ video presentation, Google+ for Artists and Illustrators  — and discover how to network, find and build community, extend your reach and promote your art and illustration with free Google+ tools.  Go here for Pooja’s superb 80 minute workshop.

A “Nuts and Bolts Saturday” in October

Children’s book illustrators, artistrators, writers — if you live within reach of Texas, open your calendars.

These guys kind of say it all. Animator, online comics creator Erik Kuntz  (who’s also Austin SCBWI chapter’s webmaster) wrote created this animation using XtraNormal.

Briefly, the Second Annual Austin SCBWI Digital Symposium is set for Saturday, October 6 at St. Edward’s University in Austin, Texas. Author/publisher marketing consultant Kirsten Cappy of Curious City is one of several featured faculty guests.  (Definitely a curiosity theme running through today’s post…)  For a schedule and details on the workshop and presenters, go here.

Curious George on the Nexus tablet

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Children’s book author-illustrator Mark Mitchell, penned this post and did a short video on the “best drawing secret” that you can see here.

Illustrators, how do your stories grow?

Illustrators, writers, quite inspired, how do your stories grow? was the theme for the 2012 regional conference of the Houston Society of Children’s Book Writers and Illustrators (SCBWI) back in March. The weekend featured a most inspired and prolific storyteller-artist Dan Yaccarino along with editors, agents and one art director, Susan Sherman of Charlesbridge Publishing.

By Daniel Miyares for "Bambino and Mr. Twain" by P.I. Maltbie (Charlesbridge Publishing)

Front matter art by Daniel Miyares for “Bambino and Mr. Twain” by P.I. Maltbie (Charlesbridge Publishing)

Jennifer Rofe, literary agent with the Andrea Brown Literary Agency discussed The “So What?” Factor. Susan Sherman showed Pictures That Make the Words Work and Dial Books for Young Readers editor Heather Alexander walked the crowd through a document used by the department heads at Penguin’s Young Readers Group to evaluate if a dummy/manuscript is a go or no go in The Hard Sell: How Publishers Sell Your Manuscript In-house and Out. This all before lunch.

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Editors Jenne Abramowitz of Scholastic, Connie Hsu of Little, Brown Books for Young Readers  kept us awake all afternoon in their talks on writing and and book concepts. Kathleen Ortiz discussed author web sites.

For illustrators, this bracing counsel from Dan Yaccarino in his answer to a question from the assembly (and I’m paraphrasing): Don’t spend your time working for small presses or author self-published projects. Aim for the big houses, the major trade book assignments, the important work. ASAP.

Faculty for the Houston SCBWI regional conference 2012 art director Susan Sherman, agent, Kathleen Ortiz, editor Jenne Abramowitz, author-illustrator Dan Yaccarino, editors Heather Alexander and Connie Hsu, and agent Jennifer Rofé. Photo by Marianne Dyson, Houston SCBWI

Faculty for the Houston SCBWI regional conference 2012 art director Susan Sherman, agent, Kathleen Ortiz, editor Jenne Abramowitz, author-illustrator Dan Yaccarino, editors Heather Alexander and Connie Hsu, and agent Jennifer Rofé. Photo by Marianne Dyson, Houston SCBWI

InteractBooks contest winners created six new children’s books for the iPad

Congratulations to author Gwen Christie and illustrator Paul Wrangles of England for winning the 2012 Winter InteractBooks competition with their interactive digital book The Champion Hare. 

First Place winner of the InteractBooks Winter interactive digital book-building contest, "The Champion Hare" by Gwen Christie and (illustrator) Paul Wrangles of England.

First Place winner of the InteractBooks Winter interactive digital book-building contest, “The Champion Hare” by Gwen Christie and (illustrator) Paul Wrangles.

CEO Ezra Weinstein announced the first place through fifth place winners (there was a tie for third place) for the winter contest in a live webinar broadcast.

See the recording with news about the 2012 spring contest and an upcoming class series on building interactive books for electronic tablets, using the new 3.0 InteractBuilder software.

Check out the covers of all the winning books on the InteractBook Facebook page.

Behold the “e-Future”

A couple of years ago editor and publisher  Stephen Roxburgh put his thoughts together on the “e-Future”  — for a talk he was to give at the Austin SCBWI regional conference.

He’s updated it since then and in April Horn Book magazine featured his essay that offers a remarkable snapshot of the publishing industry at the crossroads.

If the topic of e-books interests you, you’re in for a great read.

Author-illustrator Peter Sis

Author-illustrator Peter Sis

Sis named 2012 Hans Christian Andersen book artist

In this interview by Takoma Park. Maryland librarian Karen McPherson, distributed by  the Scripps Howard News Service, Peter Sis, the winner of this year’s Hans Christian Andersen Illustrator Awardtalks about three phone calls that changed his life.

One was a collect call from Maurice Sendak who urged him to move to New York if he wanted a serious career as a children’s book author-illustrator. (Sis took his advice.)

A call from editor Jacqueline Kennedy Onassis at Doubleday led him to writing and illustrating a book about growing up in his native Czechoslovakia.

From the McPherson interview: “Sis remembers that, in communist Czechoslovakia, ‘we couldn’t talk openly… We all started to think and talk in different layers — protective layers,’ he said. Those “layers” became second nature to Sis, whose books and other artwork now are noted for their stratums of design and meaning.”

The third call came from the MacArthur Foundation to inform him that he’d been selected to receive one of the foundation’s “genius grants.”

Sis, who once made an animated films and later illustrated for the New York Times,  mentioned the three life-changing calls in his acceptance speech for the award.

The Hans Christian Andersen Awards were announced by the International Board on Books for Young People (IBBY) at the Bologna Children’s Book Fair in March. You can learn more about the awards and this year’s other winners here. You might also enjoy this short audio in which Peter Sis tells interviewer Susan Viebrock how growing up in a communist state has informed his books, themes and artwork. You can listen to the audio here.

Sizing up Sendak

As news of Maurice Sendak’s passing settles down it might be time to reflect a little on his scruffy, straightforward, exquisite cartoon art and what it’s meant to two generations. Here are some resources to consider.

Maurice Sendak, widely considered the most important children’s book artist of the 20th century, who wrenched the picture book out of the safe, sanitized world of the nursery and plunged it into the dark, terrifying and hauntingly beautiful recesses of the human psyche, died on Tuesday in Danbury, Conn. He was 83… ” the obituary leads off.

Nutshell Library by Maurice Sendak with "Pierre" featured on the cover

“…Roundly praised, intermittently censored and occasionally eaten, Mr. Sendak’s books were essential ingredients of childhood for the generation born after 1960 or thereabouts, and in turn for their children.”

How has the art of Maurice Sendak affected you in your life?

What’s your PB Dummy Challenge?

Chances are you’ll see your issue addressed in the Picture Book Dummy Challenge series that’s been going on all year over at the #KidLitArt blog.

You’ll enjoy this latest process post by Aaron Zenz on that critical stage of producing the final art for your picture book.

Illustration by Aaron Zenz

Zenz shows how he’s willing to re-do a painting or try a new concept — sometimes more than once —  if that’s what it takes to delight his editor, publisher, or client. The post is filled with ‘case studies’ and Zenz’s appealing artwork from these assignments.

Illustrators Bonnie Adamson and Wendy Martin do a great job riding herd on the #KidLitArt blog series.This could be a biased statement, because I also guest posted for the series (PB Dummy Challenge Step 5,  Creating Full Sized Drawings for your Dummy Pages.)

But I can vouch with complete objectivity for the #kidlitart chats that Martin and Adamson host every Thursday night (U.S. Time zones) and are open to anyone on Twitter.

Each chat is based on a theme important to children’s illustrators. Each chat provides a fine opportunity to hunker down with your picture-making colleagues, published and aspiring. If you miss a live session you can always catch the transcript archived on the blog.

And the learning never stops…

Austin, Texas sure likes digital storytelling for children.

Registration has opened for Austin SCBWI’s Digital Symposium II: Nuts and Bolts of Success, a hands-on technology workshop for illustrators and authors of all techie levels.  Set for Saturday, October 6, once again this year at St. Edward’s University’s Fleck Hall.  Read more.

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featuring illustrations by Charisse MellizaThree cheers for Charisse Melliza whose illustrations appear in the newly released Mama and Asha by Carolyn Rohrbaugh (Shapato Publishing)

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Then, there’s Mowgli and Baloo…

Yes, we’re exploring the art and cunning of the Disney animators over at the Illustration Course blog.

The latest video post shows how Walt Disney and his team turned the Rudyard Kipling stories sideways and added songs for their animated version of The Jungle Book. Part1 of an absorbing documentary.

* * * * * "Make Your Splashes Make Your Marks!" course modules

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Discover a way to righteously better drawing. These free videos show you the secret.

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