“A marvelous way to tell a difficult story”

The upcoming Austin SCBWI Graphic Novel Workshop on Saturday, October 5 promises to be a day for writers and illustrators, writer-illustrators and anyone interested in exciting alternative literary forms for children, teens and young adults. OK, plenty of adults read them, too.

Webcomics creator, animator, digital content creator and our SCBWI (Society of Children’s Book Writers and Illustrators) chapter’s intrepid webmaster Erik Kuntz of Square Bear Studio talked with me about graphic novels, why they matter and what workshop attendees can expect from what could well be the first SCBWI  conference devoted solely to graphic novels that we know of.

You can see the full playlist of Erik’s and my video discussion of the workshop and the art form here.

Austin is a natural location for such a workshop, having been home  to many notable cartoonists and comic book artists in their earliesh careers, including William Sidney Porter (otherwise known as the short story writer “O. Henry” who illustrated his Austin humor newspaper The Rolling Stone with a lot of his own humorous line art; Roy Crane, who pioneered the ‘adventure comic strip’ with Wash Tubbs, Captain Easy and Buz Sawyer, Gilbert Shelton, who also attended the University of Texas at Austin and conjured the Wonder Wart Hog and The Fabulous Furry Freak Brothers in some of the first ‘underground comics’ of the early 1960s — and children’s book author-illustrator Berke Breathed, famous for the Pulitzer Prize winning Bloom County strip of the 1980s, ten years after he did his first comic strips for the University of Texas at Austin  student newspaper The Daily Texan. 

Dave Roman's "Astronaut Academy"

Dave Roman’s “Astronaut Academy” (First Second Books

As Erik shares with us in the video playlist, The Graphic Novel workshop will feature First Second Books senior editor Calista Brill, graphic novelist author-illustrator Dave Roman, whose children’s graphic novel series Astronaut Academy is published by First Second, and graphics novel writer Cynthia Leitich Smith, whose graphic novels Tantalize: Kieran’s Story (Candlewick Press) and soon to be published Eternal: Zachary Story (also Candlewick Press) stem from her own best-selling Tantalize YA Gothic fantasy series. (Candlewick Press.)

Tantalize: Kieran's Story by Cynthia Letiich Smith, illustrated by Ming Doyle

Tantalize: Kieran’s Story by Cynthia Letiich Smith, illustrated by Ming Doyle

The workshop will occur on the St. Edward’s University campus at 3001 South Congress. Registration tables open at 9 a.m. and you can also register online and read more about the workshop here.

You can check out Erik’s own webcomics series, Hex Libris here.

Enjoy the interview of Cynthia in Cynsations by Austin SCBWI regional advisor Samantha Clark about her work in graphic novel and this Q&A style post, Graphic Novels: What are they and why should I care? on the Austin SCBWI website.

"Hex Libris" webcomic serial by Erik Kuntz
“Hex Libris” webcomic serial by Erik Kuntz

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Mark Mitchell, who wrote wrote this post teaches a children’s book illustration class at The Contemporary Austin Art School at Laguna Gloria and his online Make Your Splashes – Make Your Marks! course.

Click on the below image to enjoy the recent presentation by author- illustrator CS Jennings.

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Catching Willie Mays (in a children’s book illustration)

How perfect that award-winning children’s book artist Terry Widener has done the pictures for the new picture book by Jonah Winter (just released by Schwartz and Wade) about the greatest all around baseball player ever — Willie Mays.

Terry brings a background of high level advertising and editorial illustration and something else to the many children’s books he’s done on sports figures: The sensibility of a gifted athlete.

Too small to play football on school teams, Widener focused on baseball and mainly golf, which he still avidly plays. In fact he attended art school at the University of Tulsa on a golf scholarship.

After graduation Terry had to choose between two job offers — one as the golf pro at a country club, the other as an ad agency art director. It could have gone either way; Terry went the advertising art route because it paid just a little more per week.

He went on to do design and illustration work for major publications and ad agencies — for national and international clients like Coca Cola, Burger King, The Franklin Mint and Aesculap (a German orthopedic implant manufacturer. )

His first kids’ book illustrations were for Lou Gehrig — The Luckiest Man by David Adler (Gulliver Books/Harcourt Brace) named a Boston Globe/Horn Book Honor book, a Texas Blue Bonnet Reading List selection, an American Library Association Notable Book of the Year and an SCBWI Golden Kite Finalist, and received the IRA Teacher’s Choice Award.

Since then his books have attracted more honors and recognition,  including Smithsonian Notable Book of the Year, School Library Journal  Best Book of the Year, the Junior Library Guild List, the Society of Illustrators Original Art Show, the Bank Street Best Children’s Book of the Year and other awards.

Terry paints in acrylics. He’s experimented with a variety of styles in this medium, though now he works in a more painterly, naturalistic style, in the “Old School” children’s book art style of N.C. Wyeth and Howard Pyle.

That he’s done so many children’s biographies of sports heroes is purely coincidence, he says. What’s no coincidence is the sophisticated-simple design that he brings to these pictures of action and excitement in the ball field, boxing ring and competitive swim lanes — and the comfy authority with which he treats historical settings and scenes.

These videos are excerpts from an in-depth interview Terry gave me for students in the Make Your Splashes — Make Your Marks! course. For more information about this online course on illustrating children’s books, or to receive e-mail news from the “Marks and Splashes” online learning community, go here.

You Never Heard of Willie Mays? by Jonah Winter (Schwartz and Wade) features a lenticular cover illustration. You know those “wiggle pictures” that seem to move when you look at them from different angles? You’d find them  sometimes as surprises inside Cracker Jacks boxes. Schwartz and Wade wanted to use lenticular printing for the covers for this series of picture book sports bios.

The process required Widener to come up with three paintings for the cover. The paintings would animate Mays knocking the ball out of the park, in one of those 50 home run hits of his career.

Terry had to model himself swinging a bat to avoid relying solely on the photos and videos he’d pulled together of the real Willie Mays in the moment — lest he and the publisher end up in a battle with The New York Times and Sports Illustrated over intellectual property!

When dealing with images of sports icons and other stars, be careful to not copy your source material, Terry cautions. Your references are probably all copyrighted!  He couldn’t even render newspaper sports pages of the day as they were, he says. To use them in an illustration he had to change them up a bit — even the wording in the headlines!

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With his art director wife Leslie Widener (also a children’s book author-illustrator) Terry lives in a 100-year-old house in historic McKinney Texas, a few miles north of Dallas, Texas. They’re members of the North Texas chapter of the Society of Children’s Book Writers and Illustrators (SCBWI.)

Terry enjoys doing school visits and receives many invitations for them each year. He can often be coaxed to draw for students in a collaboration where they “art direct” his improvised sketches on the white board.

For a list of Terry’s books and awards go here and to see the covers of some of his books, go here.

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Terry doesn’t illustrate only books on sports heroes. He takes on a variety of projects, like this series of picture books on folks songs with Peter Yarrow of Peter, Paul and Mary.

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IMAGMark and Terry (Laura photo)

Mark Mitchell and Terry Widener share a chuckle at Texas Educational Service Center Region One school librarian’s conference in Harlingen, Texas in September 2012.
(Photo by children’s author-poet Laura Purdie Salas) http://www.laurasalas.com)

Austin SCBWI Kick It Up a Notch! conference delights and inspires 

Renowned illustrator and fine artist E.B. Lewis headlined the Austin SCBWI 2013 conference, Kick it Up a Notch! last weekend at St. Edward’s University. (Below) E.B. drew for pre-K and K students at the Regents School in Austin, Texas.

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He also inspired middle grades at the school.

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E.B. Lewis dazzled illustrators and writers alike with an impromptu watercolor demonstration at a Sunday workshop following Kick It Up a Notch!

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Austin, Texas based illustrator Patrice Barton received the SCBWI Crystal Kite award for her art for the picture book Mine! by Shutta Crum (Knopf) in the reception that kicked off the Austin conference. She and Crum presented a workshop about the making of Mine!.
See the video interview Patty did with this blog about illustrating Mine!

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Caitlin Alexander won first place in the conference Portfolio Showcase that was judged by E.B. Lewis, publisher Neal Porter and agent Rubin Pfeffer. Caitlin receives full tuition to next year’s Austin SCBWI conference and a $200 cash prize from the social media firm, Alter Endeavors, owned by Austin SCBWI’s Nick Alter. Erin McGuire won second place and Laura Logan and Amy Farrier tied for third place in the portfolio competition. All won gift cards from Jerry’s Art Supplies. Photo by author Cynthia Leitich Smith.

Google Drive for Artists free replay

Sign up to see the full recording of the workshop on Google Drive and other great Google tools for illustrators, presented by Pooja Srinivas. Yes, it’s free!

And finally, here is my nomination and vote for the ultimate Valentines Day book.

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Mark Mitchell, who sometimes edits this blog wrote this post.

World touring sketchbooks

Have you drawn in your sketchbook today? It’s a question that humbles every aspiring children’s book illustrator.

But in our “high touch era” where the handcrafts site Etsy numbers near the top of online marketplaces and scrapbooking became so cool that it inspired the social media phenomenon known as Pinterest, sketchbooks and the art of filling them are no longer restricted to fine artists and commercial artists and hobby painters.

It’s a more general cause celebre and maybe even a craze, if popular blog groups like SketchCrawl, Urban Sketchers and Everyday Matters are an indication. Since 2009 the Brooklyn Art-House Co-Op has been gathering up sketchbooks and sending them on national tour in a traveling library. This year the effort extended across the Atlantic to include London. Hence the name,  2012 Sketchbook Project World Tour

“The Sketchbook Project is a global, crowd-sourced art project where participants from all walks of life are sent a sketchbook and have until January 15th to fill the pages and return it for inclusion in a traveling exhibition and permanent collection at The Brooklyn Art Library,” the co-op’s website says.

You can see some 500 photos on the Facebook page. And some more cool photos in this Instagram gallery on Tumblr.

Sketchbook Tour stops in Austin

Our children’s picture book critique group under the Austin (Texas) Chapter of the Society of Children’s Book Writers and Illustrators (SCBWI), the Inklings decided to take part in this year’s tour with a group sketchbook mosaic.

It’s all explained (twice) in this riveting cinéma vérité documentary. Notice how the camera is not only hand-held in the respected auteur tradition, but often entirely neglected as the chronicler starts talking with his subjects and the lens tips to study T-shirts and shoes, picnic tables and dirt on the ground…

Austin (September 12-16) was the last North American stop before the books moved on to London. Starting from Brooklyn they’d already traveled to Chicago, Portland, Vancouver, Los Angeles, Oakland, Lynn, Portland (Maine), Toronto, Philadelphia, Atlanta and Orlando.

Co-Lab Project Space on Allen Street in East Austin was converted into a library replete with signage,  computers, workers, loaded bookshelves and waiting lines.  According to the Brooklyn ArtHouse archive, 2,435 books were checked out and viewed during those four days in Austin and 300 new Sketchbook Project library cards were issued.

The sketchbooks, new ones will be back in Austin next year — at Co-Labs again and at the SXSW Festival scene on March 15-17  for the 2013 World Tour.

Maury Tieman, Martha Carleton, Mark Mitchell, Joyce Chambers-Selber and Allissa Chambers of the Austin SCBWI Inklings — with “Willie Lisa.” Other “Inklings” who participated in the mosaic project included Margaret Jonon Buford, Martin Fry, Ann Hartman, Jeff Crosby and the late Louise Shelby.

November events

The biggest news of recent weeks? No, it wasn’t the U.S. presidential election. It was Disney buying LucasFilm/LucasArts and all Star Wars rights for $4 billion. Here’s a Forbes take on the purchase and more particulars and videos from Mashable. It means more Star Wars movies to come, a re-thinking and possible scrapping of Star Wars games currently on the boards and a new (apparently long overdue) Disney line for boys.

No, Star Wars didn’t start off as a children’s book, but it could have. The Disney purchase evidences the staggering value of an intellectual asset and of what sometimes can happen when a story with good characters ascends to the status of a meme.  This was not a freak occurrence, either. In 2009 Disney paid $4 billion  for Marvel Comics.

The other news of course is the publishing merger. Two of the “Big Six”, Random House, owned by the conglomerate Bertelsmann and Penguin, owned by publishing giant Pearson announced joining forces in a deal exptected to close sometime next year (to counter the threat of Amazon, some industry watchers suggest.) Combined companies willl have a fourth of the English-language consumer book sales, asserts the Publishers Weekly story on the announcement,

The merger takes the “Big Six” down to five:  Random House Penguin, Hachette, Holtzbrinck/Macmillan,  HarperCollins,  which is a subsidiary of Rupert Murdoch’s News Corporation and the CBS owned Simon & Schuster — with those pesky 21st century publishing upstarts Amazon, Apple and Microsoft nipping at their heels.

November is Picture Book Month and author Dianne de Las Casas with co-founding author-illustrators Elizabeth DulembaKatie DavisTara Lazar and Wendy Martin have assembled this this delightful blog where author-illustrators guest post and the joys and significance of this peculiarly demanding literary art form.

November is also Picture Book Idea Month, if you didn’t know. It’s what PiBoIdMo stands for, writes children’s author Tara Lazar. “Tired of novelists having all the fun in November with NaNoWriMo [National Novel Writing Month]? That’s why I created PiBoIdMo, as a 30-day challenge for picture book writers,” she says.  “The concept is to create 30 picture book ideas in 30 days. You don’t have to write a manuscript (but you can if the mood strikes).” The PiBoiMo part of Tara’s blog  is  loaded full with super “process posts” and tips from practitioners, along with some great author-illustrator “war stories” that will move and inspire you.

On the storm front, Chronicle Books editor Melissa Manlove is offering what is truly a once-in-a-lifetime opportunity for an aspiring picture book author — a FREE PASS to one of her company’s editorial meetings, along with a private  critique before yourstory goes to the meeting. It’s one of many neat auction items touted for KidLit Cares, a Hurricane Sandy relief effort. Read all about it on organizer and children’s book author Kate Messer’s blog.

E.B. Lewis to headline Austin SCBWI conference

Caldecott honor-winning illustrator E.B. Lewis will keynote the conference, Kick It Up a Notch as well as conduct a special illustrators’ intensive on Sunday after Saturday’s main event.

In the video below Lewis speaks compassionately on his painting exhibit Lotto Icons, which began as scribbled ideas in his (what else?) sketchbook.

Drawing in Photoshop

Steve Connor is an abstract fine arts painter, former art director, Adobe CS-6 certified instructor and CEO of Deep4D Digital Media & Training. He demystifies the PS tools and the difference modes of drawing and painting with them in this free 90 minute workshop, Vector and Paint: An Intro to Photoshop.

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Award-winning author-illustrator Mark Mitchell wrote this post. Get on the blog mailing list and see some short videos on  “the best secret” to good drawing.