“A marvelous way to tell a difficult story”

The upcoming Austin SCBWI Graphic Novel Workshop on Saturday, October 5 promises to be a day for writers and illustrators, writer-illustrators and anyone interested in exciting alternative literary forms for children, teens and young adults. OK, plenty of adults read them, too.

Webcomics creator, animator, digital content creator and our SCBWI (Society of Children’s Book Writers and Illustrators) chapter’s intrepid webmaster Erik Kuntz of Square Bear Studio talked with me about graphic novels, why they matter and what workshop attendees can expect from what could well be the first SCBWI  conference devoted solely to graphic novels that we know of.

You can see the full playlist of Erik’s and my video discussion of the workshop and the art form here.

Austin is a natural location for such a workshop, having been home  to many notable cartoonists and comic book artists in their earliesh careers, including William Sidney Porter (otherwise known as the short story writer “O. Henry” who illustrated his Austin humor newspaper The Rolling Stone with a lot of his own humorous line art; Roy Crane, who pioneered the ‘adventure comic strip’ with Wash Tubbs, Captain Easy and Buz Sawyer, Gilbert Shelton, who also attended the University of Texas at Austin and conjured the Wonder Wart Hog and The Fabulous Furry Freak Brothers in some of the first ‘underground comics’ of the early 1960s — and children’s book author-illustrator Berke Breathed, famous for the Pulitzer Prize winning Bloom County strip of the 1980s, ten years after he did his first comic strips for the University of Texas at Austin  student newspaper The Daily Texan. 

Dave Roman's "Astronaut Academy"

Dave Roman’s “Astronaut Academy” (First Second Books

As Erik shares with us in the video playlist, The Graphic Novel workshop will feature First Second Books senior editor Calista Brill, graphic novelist author-illustrator Dave Roman, whose children’s graphic novel series Astronaut Academy is published by First Second, and graphics novel writer Cynthia Leitich Smith, whose graphic novels Tantalize: Kieran’s Story (Candlewick Press) and soon to be published Eternal: Zachary Story (also Candlewick Press) stem from her own best-selling Tantalize YA Gothic fantasy series. (Candlewick Press.)

Tantalize: Kieran's Story by Cynthia Letiich Smith, illustrated by Ming Doyle

Tantalize: Kieran’s Story by Cynthia Letiich Smith, illustrated by Ming Doyle

The workshop will occur on the St. Edward’s University campus at 3001 South Congress. Registration tables open at 9 a.m. and you can also register online and read more about the workshop here.

You can check out Erik’s own webcomics series, Hex Libris here.

Enjoy the interview of Cynthia in Cynsations by Austin SCBWI regional advisor Samantha Clark about her work in graphic novel and this Q&A style post, Graphic Novels: What are they and why should I care? on the Austin SCBWI website.

"Hex Libris" webcomic serial by Erik Kuntz
“Hex Libris” webcomic serial by Erik Kuntz

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Mark Mitchell, who wrote wrote this post teaches a children’s book illustration class at The Contemporary Austin Art School at Laguna Gloria and his online Make Your Splashes – Make Your Marks! course.

Click on the below image to enjoy the recent presentation by author- illustrator CS Jennings.

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Catching Willie Mays (in a children’s book illustration)

How perfect that award-winning children’s book artist Terry Widener has done the pictures for the new picture book by Jonah Winter (just released by Schwartz and Wade) about the greatest all around baseball player ever — Willie Mays.

Terry brings a background of high level advertising and editorial illustration and something else to the many children’s books he’s done on sports figures: The sensibility of a gifted athlete.

Too small to play football on school teams, Widener focused on baseball and mainly golf, which he still avidly plays. In fact he attended art school at the University of Tulsa on a golf scholarship.

After graduation Terry had to choose between two job offers — one as the golf pro at a country club, the other as an ad agency art director. It could have gone either way; Terry went the advertising art route because it paid just a little more per week.

He went on to do design and illustration work for major publications and ad agencies — for national and international clients like Coca Cola, Burger King, The Franklin Mint and Aesculap (a German orthopedic implant manufacturer. )

His first kids’ book illustrations were for Lou Gehrig — The Luckiest Man by David Adler (Gulliver Books/Harcourt Brace) named a Boston Globe/Horn Book Honor book, a Texas Blue Bonnet Reading List selection, an American Library Association Notable Book of the Year and an SCBWI Golden Kite Finalist, and received the IRA Teacher’s Choice Award.

Since then his books have attracted more honors and recognition,  including Smithsonian Notable Book of the Year, School Library Journal  Best Book of the Year, the Junior Library Guild List, the Society of Illustrators Original Art Show, the Bank Street Best Children’s Book of the Year and other awards.

Terry paints in acrylics. He’s experimented with a variety of styles in this medium, though now he works in a more painterly, naturalistic style, in the “Old School” children’s book art style of N.C. Wyeth and Howard Pyle.

That he’s done so many children’s biographies of sports heroes is purely coincidence, he says. What’s no coincidence is the sophisticated-simple design that he brings to these pictures of action and excitement in the ball field, boxing ring and competitive swim lanes — and the comfy authority with which he treats historical settings and scenes.

These videos are excerpts from an in-depth interview Terry gave me for students in the Make Your Splashes — Make Your Marks! course. For more information about this online course on illustrating children’s books, or to receive e-mail news from the “Marks and Splashes” online learning community, go here.

You Never Heard of Willie Mays? by Jonah Winter (Schwartz and Wade) features a lenticular cover illustration. You know those “wiggle pictures” that seem to move when you look at them from different angles? You’d find them  sometimes as surprises inside Cracker Jacks boxes. Schwartz and Wade wanted to use lenticular printing for the covers for this series of picture book sports bios.

The process required Widener to come up with three paintings for the cover. The paintings would animate Mays knocking the ball out of the park, in one of those 50 home run hits of his career.

Terry had to model himself swinging a bat to avoid relying solely on the photos and videos he’d pulled together of the real Willie Mays in the moment — lest he and the publisher end up in a battle with The New York Times and Sports Illustrated over intellectual property!

When dealing with images of sports icons and other stars, be careful to not copy your source material, Terry cautions. Your references are probably all copyrighted!  He couldn’t even render newspaper sports pages of the day as they were, he says. To use them in an illustration he had to change them up a bit — even the wording in the headlines!

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With his art director wife Leslie Widener (also a children’s book author-illustrator) Terry lives in a 100-year-old house in historic McKinney Texas, a few miles north of Dallas, Texas. They’re members of the North Texas chapter of the Society of Children’s Book Writers and Illustrators (SCBWI.)

Terry enjoys doing school visits and receives many invitations for them each year. He can often be coaxed to draw for students in a collaboration where they “art direct” his improvised sketches on the white board.

For a list of Terry’s books and awards go here and to see the covers of some of his books, go here.

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Terry doesn’t illustrate only books on sports heroes. He takes on a variety of projects, like this series of picture books on folks songs with Peter Yarrow of Peter, Paul and Mary.

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IMAGMark and Terry (Laura photo)

Mark Mitchell and Terry Widener share a chuckle at Texas Educational Service Center Region One school librarian’s conference in Harlingen, Texas in September 2012.
(Photo by children’s author-poet Laura Purdie Salas) http://www.laurasalas.com)

Austin SCBWI Kick It Up a Notch! conference delights and inspires 

Renowned illustrator and fine artist E.B. Lewis headlined the Austin SCBWI 2013 conference, Kick it Up a Notch! last weekend at St. Edward’s University. (Below) E.B. drew for pre-K and K students at the Regents School in Austin, Texas.

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He also inspired middle grades at the school.

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E.B. Lewis dazzled illustrators and writers alike with an impromptu watercolor demonstration at a Sunday workshop following Kick It Up a Notch!

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Austin, Texas based illustrator Patrice Barton received the SCBWI Crystal Kite award for her art for the picture book Mine! by Shutta Crum (Knopf) in the reception that kicked off the Austin conference. She and Crum presented a workshop about the making of Mine!.
See the video interview Patty did with this blog about illustrating Mine!

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Caitlin Alexander won first place in the conference Portfolio Showcase that was judged by E.B. Lewis, publisher Neal Porter and agent Rubin Pfeffer. Caitlin receives full tuition to next year’s Austin SCBWI conference and a $200 cash prize from the social media firm, Alter Endeavors, owned by Austin SCBWI’s Nick Alter. Erin McGuire won second place and Laura Logan and Amy Farrier tied for third place in the portfolio competition. All won gift cards from Jerry’s Art Supplies. Photo by author Cynthia Leitich Smith.

Google Drive for Artists free replay

Sign up to see the full recording of the workshop on Google Drive and other great Google tools for illustrators, presented by Pooja Srinivas. Yes, it’s free!

And finally, here is my nomination and vote for the ultimate Valentines Day book.

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Mark Mitchell, who sometimes edits this blog wrote this post.

2012 in review

The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog.

Here’s an excerpt:

19,000 people fit into the new Barclays Center to see Jay-Z perform. This blog was viewed about 130,000 times in 2012. If it were a concert at the Barclays Center, it would take about 7 sold-out performances for that many people to see it.

Click here to see the complete report.