A ‘Writing Process’ post

My friend, San Antonio SCBWI Illustrators Coordinator Akiko White recently tagged me to take part in the Writing Process Blog Tour. It was fun because it got me thinking about how the kind of online journalism I’ve been doing lately is much like the writing I’ve always done as an author-illustrator of three books for upper elementary grades, a free-lance writer and small town newspaper reporter.

Seeing Stars

“Seeing Stars: McDonald Observatory and its Astronomers” written and illustrate by Mark Mitchell (Eakin Press)

The questions are the same for everyone, so I’ll get right into them.

1.) What are you working on?

I’m writing educational content to stitch together the more than 100 videos I’ve made for my online course on illustrating children’s books, Make Your Marks and Splashes.

It feels like writing copy for a very large magazine article — or a big nonfiction book, requiring that same organization and the continual effort of trying to say more with less, which is the writer’s burden and bliss.

2.) How does my work differ from others of its genre?

I’d like to answer this from the perspective of someone who has written nonfiction books for children. In researching and reporting my subjects, I try to create a vivid sensory experience and a feeling of place to try to put the reader inside the situations I’m writing about.

I also like to have a a storyline — if I can find it in the material.

"Raising La Belle" cover

“Raising ‘La Belle’: the Story of the ‘La Salle Shipwreck'” written and illustrated by Mark Mitchell (Eakin Press)

3.) Why do I write what I do?

My reporting experienced has influenced how I write.

I try to follow the rules of journalism while also remembering that I want to incite the reader to keep reading, to go on to that second paragraph.

So I think that curiosity and suspense are ways to hold a reader (of any age) and also a way to set fire to a reader’s imagination, which helps the reader to identify with a story.

In a creative nonfiction story those suspense-creating elements must arise from a foundation of solid reporting.

As children’s nonfiction author Russell Friedman has said, “A nonfiction writer is a storyteller who has sworn an oath to tell the truth.”

4.) How does my writing process work?

First research and making notes, then interviews, followed by lots of personal observation of locales, if possible and making more notes. Then a few thumbnail outlines, trying to tease out the ‘plot points’ ‘dark moments’ and the climax, if I can find them in the material.

Next a rough draft, ‘the sloppy copy’ as they say in elementary school, typed in an inspired burst or a series of inspired bursts over many months.

Then editing, untangling all those knots of bad prose fishing line. Simplifying, smoothing out and lots of cutting, until the language feels alive and like it has found its voice for the story.

* * * * *

Next up on the tour, author-illustrator and watercolor fine artist Rob Smith who will post next Monday April 7 on his own writing process — writing in words and pictures. Rob is the author-illustrator of the Kindle e-book, Undead Ted as well as the author of the self-paced video course, Buildling EZ Picture Books for Kindle.

And author-illustrator Laurie Edwards whose first-in-a-series new YA book, Grace and the Guiltess (Curious Fox – UK) under her nom de plume Erin Johnson has just been published. Three other books in the WANTED series will be coming out in May, August, and December, Laurie says. Laurie’s in the middle of edits on her NA/adult nonfiction book, Cyber Self-Defense, written with cybercrime expert Alexis Moore, which is set to release in October from Globe Pequot.

Stay tuned for more details/authors on the Writing Process Blog Tour.

“A marvelous way to tell a difficult story”

The upcoming Austin SCBWI Graphic Novel Workshop on Saturday, October 5 promises to be a day for writers and illustrators, writer-illustrators and anyone interested in exciting alternative literary forms for children, teens and young adults. OK, plenty of adults read them, too.

Webcomics creator, animator, digital content creator and our SCBWI (Society of Children’s Book Writers and Illustrators) chapter’s intrepid webmaster Erik Kuntz of Square Bear Studio talked with me about graphic novels, why they matter and what workshop attendees can expect from what could well be the first SCBWI  conference devoted solely to graphic novels that we know of.

You can see the full playlist of Erik’s and my video discussion of the workshop and the art form here.

Austin is a natural location for such a workshop, having been home  to many notable cartoonists and comic book artists in their earliesh careers, including William Sidney Porter (otherwise known as the short story writer “O. Henry” who illustrated his Austin humor newspaper The Rolling Stone with a lot of his own humorous line art; Roy Crane, who pioneered the ‘adventure comic strip’ with Wash Tubbs, Captain Easy and Buz Sawyer, Gilbert Shelton, who also attended the University of Texas at Austin and conjured the Wonder Wart Hog and The Fabulous Furry Freak Brothers in some of the first ‘underground comics’ of the early 1960s — and children’s book author-illustrator Berke Breathed, famous for the Pulitzer Prize winning Bloom County strip of the 1980s, ten years after he did his first comic strips for the University of Texas at Austin  student newspaper The Daily Texan. 

Dave Roman's "Astronaut Academy"

Dave Roman’s “Astronaut Academy” (First Second Books

As Erik shares with us in the video playlist, The Graphic Novel workshop will feature First Second Books senior editor Calista Brill, graphic novelist author-illustrator Dave Roman, whose children’s graphic novel series Astronaut Academy is published by First Second, and graphics novel writer Cynthia Leitich Smith, whose graphic novels Tantalize: Kieran’s Story (Candlewick Press) and soon to be published Eternal: Zachary Story (also Candlewick Press) stem from her own best-selling Tantalize YA Gothic fantasy series. (Candlewick Press.)

Tantalize: Kieran's Story by Cynthia Letiich Smith, illustrated by Ming Doyle

Tantalize: Kieran’s Story by Cynthia Letiich Smith, illustrated by Ming Doyle

The workshop will occur on the St. Edward’s University campus at 3001 South Congress. Registration tables open at 9 a.m. and you can also register online and read more about the workshop here.

You can check out Erik’s own webcomics series, Hex Libris here.

Enjoy the interview of Cynthia in Cynsations by Austin SCBWI regional advisor Samantha Clark about her work in graphic novel and this Q&A style post, Graphic Novels: What are they and why should I care? on the Austin SCBWI website.

"Hex Libris" webcomic serial by Erik Kuntz
“Hex Libris” webcomic serial by Erik Kuntz

* * * * *

Mark Mitchell, who wrote wrote this post teaches a children’s book illustration class at The Contemporary Austin Art School at Laguna Gloria and his online Make Your Splashes – Make Your Marks! course.

Click on the below image to enjoy the recent presentation by author- illustrator CS Jennings.

CS JUennings presentation banner

An amazing way to learn illustration

So what is musician-performer-dancer-composer Lindsey Stirling doing on this blog about children’s book illustration? She’s an artist but she works in a different medium. She hasn’t published a children’s picture book. (Not yet, anyway, but give her time.)

I’m sharing this video of her 2011 tune Shadows, because twenty-two million YouTube viewers are not wrong — it’s a great music video. It also helps me to make a point about something I see happening that I like to call:

Are you ready?  (It’s a big phrase.)  Ahem... The toppling of the hierarchy of learning.

Lindsey has studied classical violin since age six. Private teachers for 12 years.

But my question is…

Where did she learn to dance like this?

Answer: YouTube! She says so here on her website. She analysed music videos, studied the footwork of the dancers, put her own moves together and practiced in front of a mirror.

So my next question is:

If Lindsey can learn her choreography from the Internet, do you think you can you learn to design and improve your drawing and painting similarly?

I  certainly think so! Good thing, too because in recent weeks four new art courses have launched online. Two of them, focusing on illustrating children’s books start next month (June, 2013)

Mira Reisberg (aka: The Picture Book Whisperer) is offering The Craft and Business of Children’s Book IllustrationJune 3 — July 15.

Will Terry and Jake Parker are offering Illustration for Storytellers, June 10 — July 10.

Last week I interviewed these teachers to discover more. We decided to open up our discussions so that anyone watching could ask questions. You can catch the replay of our session with magical Mira here or by clicking on the graphic below. (You’ll be asked for your e-mail address. It will be worth it.)

The Picture Book Academy

Mira Reisberg’s Picture Book Academy

Mira’s class promises a full-immersion experience into the world of children’s publishing, with her own video interviews with editors, art directors and author-illustrators. There will also be wide-ranging lessons on craft/technique and the business/career-building side of being a children’s book artist.

Will’s and Jake’s training will take you through design, draftsmanship, painting and building flowing storyboards and successful full-colored final art. They’ll cover how to prepare your art for a traditional print book, e-book, story app, help you to understand traditional vs digital illustration, file types, pagination, pacing, layouts — and how to build your online presence as an artist. The live interactive class is already full, but through July 15 you can still register for the lite version, to receive the recordings.

You can access our amazing two-hour session with Will and Jake here or by clicking on the graphic below. Will and Jake each taught a very cool, generous lesson that you won’t want to miss.

Mark Mitchell, Will Terry and Jake Parker

Mark Mitchell, Will Terry and Jake Parker

Of the two classes, which one should you pick? It’s a no-brainer! Take both!

They’re by gifted people, professionally experienced artists who are also natural teachers (as you’ll see in the replays.) Their curriculums are different and as rich and rewarding as any you’d find at a brick and mortar campus. (This is not surprising, since Mira, Jake and Will all teach or have taught at brick and mortar campuses.)

And when you finish their classes, consider taking my Make Your Splashes; Make Your Marks! online course, too! It’s also about children’s book illustration. Online art classes like these rock! They’re fun. They’ll make you better. And they’re re not as difficult as teaching yourself to dance while playing the violin.

At author-illustrator Mary Sullivan's launch party for her one word picture book "Ball!" (Houghton Mifflin) at the Writing Barn. Left to right Austin SCBWI Regional Advisor and author-Illustrator shelley Ann Jackson, Austin SCBWI Illustrator Coordinator Amy Farrier, Mary Sullivan, author-illustrator Mark Mitchell, author Julie Lake, author-illustrators Erik Kuntz and Jeff Crosby. Photo by author Bethany Hegedus.

At author-illustrator Mary Sullivan’s launch party for her one word picture book Ball! (Houghton Mifflin) at The Writing Barn, in Austin Texas on May 4. Left to right Austin SCBWI Regional Advisor and author-illustrator Shelley Ann Jackson, Austin SCBWI Illustrator Coordinator Amy Farrier,  author-illustrator Mary Sullivan, author-illustrator Mark Mitchell, author Julie Lake, author-illustrators Erik Kuntz and Jeff Crosby. Photo by author Bethany Hegedus. To see a recent post and video interview featuring Mary, go here.

A spread from Mary Sullivan's "Ball!"

A spread from Mary Sullivan’s new picture book Ball! published by Houghton Mifflin Harcourt Publishing Company.

From Mary Sullivan's new book Ball!

From Mary Sullivan’s new book Ball!

Julie Lake reads "BalL!" at The Writing Barn.

Julie Lake reads Ball! at The Writing Barn.

Bethany Hegedus with page proofs of her new picture book "Grandfather Gandhi"

During Mary’s signing party at The Writing Barn, Austin SCBWI Illustrator Coordinator Amy Farrier, authors Greg Leitich Smith, Cynthia Leitich Smith and Bethany Hegedus, author-illustrators Jeff Crosby and Erik Kuntz and author Julie Lake review the early page proofs shared by Bethany from her upcoming picture book, Grandfather Gandhi, co-authored by Arun Gandhi and illustrated by Evan Turk. Due out in March, 2014.

Cover of the upcoming picture book, Grandfather Gandhi, co-authored by Arun Gandhi and Bethany Hegedus, illustrated by Evan Turk.

Cover of the upcoming picture book, Grandfather Gandhi, co-authored by Arun Gandhi and Bethany Hegedus, illustrated by Evan Turk.

From the upcoming picture book, Grandfather Gandhi,

From the upcoming picture book, Grandfather Gandhi, co-authored by Bethany Hegedus and Arun Gandhi and illustrated by Evan Turk.  Scheduled for publication 3/11/2014.

From the upcoming picture book, Grandfather Gandhi,

Illustration by Evan Turk from the upcoming picture book, Grandfather Gandhi by Bethany Hegedus and Arun Gandhi.  Scheduled for publication 3/11/2014

* * * * *

Post by Mark Mitchell.