One Illustration Reverie; Two Real Deals

What does this short animated clip have to do with John Singer Sargent or children’s book illustration?

A quoi ca sert l’amour,  a short animation by Louis Clichy, with thanks to illustrator  and animation/game artist Amanda Williams for finding this.  She called  it “brutal and adorable.”

If a child-friendly story had illustrations with these lines — and visual characters as memorable as these  and color the way John Singer Sargent used it in his painted scenes, it would be some picture book, right?

I’m assembling a fantasy football — I mean  illustration project  — team here.

So, starting with the cartoon:  What makes these stick figures tug at your emotions as they do?

The honesty of the emotions depicted?

The “simple” (oh-so-sophisticated) graphics with their varied perspectives and 360 degree “camera revolutions”?

All the fast cutting and the surprise transitions?

The song?  Edith Piaf’s and Theo Sarapo’s singing?

The subject?

Could some of this aplomb be translated into picture book illustrations?

OK,  so let’s add some color and texture.  John Singer Sargent had a knack  for such things. Thanks to Chicago based painter Raymond Thornton for finding this.

I know.  Sargent is the painter who gives all other painters inferiority complexes.  We don’t know a lot about how he made his palette choices. (We know that he looked carefully.)

So enough with dream teaming. We’ve got some news today.

Two power chapters of the Society of Children’s Book Writers and Illustrators (SCBWI) have announced their 2010 pow-wows — both set for early next year.

It’s Time to Mingle in Texas

State Capitol in Austin, Texas

State Capitol in Austin, Texas

Awesome Austin

Austin SCBWI comes first with Destination Publication featuring  a Caldeecott Honor Illustrator and Newberry Honor Author, along with agents, editors, more authors, another fab illustrator, critiques, portfolio reviews and parties.

Mark the date — Saturday, January 30, 2010,  8:00 a.m. – 5:30 p.m.  Get the full lowdown and the registration form here. Send in your form pronto if you’re interested — more than 100 people have already signed up. Manuscript crtiques are already sold out. But a few portfolio reviews are still open at this writing!

Destination Publication features Kirby Larson, author of the 2007 Newbery Honor Book, Hattie Big Sky and Marla Frazee, author-illustrator of A Couple of Boys Have the Best Week Ever, which received a Caldecott Honor Award, and more recently All the World penned (all 200 words of it) by Austin’s own children’s author/poet Liz Garton Scanlon.

Frazee teaches children’s book illustration at Art Center College of Design in Pasadena, CA.  She and Scanlon will talk about their collaboration on All the Worldt. You can read each of their stories  Behind The Book at a Simon & Schuster webpage here.

"All the World" by Liz Garton Scanlon and Marla Frazee

"All the World" by Liz Garton Scanlon and Marla Frazee

The  one-day faculty also includes:

Cheryl Klein, senior editor at Arthur A. Levine Books/Scholastic.

Lisa Graff, Associate Editor at Farrar, Straus and Giroux Books for Young Readers.

Stacy Cantor, Editor, Bloomsbury USA/Walker  Books For Young Readers.

Andrea Cascardi agent with Transatlantic Literary Agency (and a former editor.)

Mark McVeigh another former editor who represents writers, illustrators, photographers and graphic novelists for both the adult and children’s markets.

Nathan Bransford, agent.

The conference  will also showcase authors  Sara Lewis Holmes, Shana Burg, P. J. Hoover, Jessica Lee Anderson, Chris Barton, Jacqueline Kelly, Jennifer Ziegler, Philip Yates and illustrator Patrice Barton.

Read more about everyone here.

Happenin’ Houston

Houston SCBWI has announced a still developing  lineup for its conference just three weeks after Austin’s:   Saturday, February 20, 2010.  Registration has just opened.

Headliners here:

Cynthia Leitich Smith, acclaimed author of short stories, funny picture books, Native American fiction, and YA Gothic fantasies. Faculty member, Vermont College of Fine Arts.

Ruta Rimas, assistant editor Balzer & Bray/HarperCollin.

Rosa

Rosa

Patrick Collins, creative director at Henry Holt Books for Young Readers. Collins art directs and designs picture books, young adult novels and middle grade fiction (Baby Bear, Baby Bear, What Do You See?, Old Penn Station and Rosa, a Caldecott Honor book.)

Also featured: Alexandra Cooper,  senior editor at Simon & Schuster Books for Young Readers, Lisa Ann Sandell,  senior editor at Scholastic Inc., and Sara Crowe, a New York agent with Harvey Klinger, Inc.

Download their bios, more Houston conference info and a registration form from this page. No, you don’t have to be Texan to register for either of these “big as Texas” events.

Mark Mitchell teaches children’s book illustration at the Austin Museum of Art Art School — and online. Learn the best drawing secret free here.

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Awesome Austin Writers roll up their T-shirt sleeves

Awesome Austin Writers Workshop in session

Awesome Austin Writers Workshop in session (Photo by Cynthia Leitich Smith)

A mega-critique of 26 children’s and YA published and soon-to-be-published authors, the Awesome Austin Writers Workshop  ended Sunday, June 29, and everyone drove home in shock.  Shock because it was over and had gone so well and we realized  that we weren’t coming back to hang out with each other again the next day.

The workshop took place in the 1920s-vintage Austin, Texas home of authors Greg and Cynthia Leitich Smith.

Cynthia, who teaches in the children’s and young adult writing MFA program at the Vermont College of Fine Arts thought up and organized the event with help from her author-attorney husband, Greg and other friends from the Austin chapter of SCBWI (Society of Children’s Book Writers and Illustrators.)  

For three days she led the critiques in a tour de force of quick wit, good fun, practical erudition, zinging (as opposed to stinging) professional insight and Kansas Pioneer Woman stamina. 

Months before we’d been asked to submit up to ten pages of our works in progress. These were the beginnings of picture books, parts of YA novels and sci-fantasy chapter books, poems and nonfiction stories. Each writer got 40-45 minutes of vociferous attention from the group, moderated by Cynthia. 

Liz Scanlon, Alison Dellenbaugh, Erin Edwards, Phillip Yates get their papers in order. April Lurie is in the background. (Photo courtesy of Cynthia Leitich Smith.)

Liz Scanlon, Alison Dellenbaugh, Erin Edwards and Phillip Yates get their papers in order. April Lurie is in the background. (Photo courtesy of Cynthia Leitich Smith.)

It’s an odd sensation to be on the receiving end of so much focus — 26 bright minds reacting to your prose or verse, while you’re not allowed to talk back. It feels like a surgical procedure is being done — a double cataract removal. 

Like the other dazed & AAWW’ed patients after their operations, I got my copies back scribbled with thoughts, kudos, suggestions for fixes, often accompanied by typed notes. We clutched our precious stacks like they were our medical charts and we were on our gurneys in the recovery room.

Since I was one of two illustrators present, I was invited to pass around a couple of sketches to accompany my picture book offering — for additional AAWW-some scrutiny.

There was a lot of sharing, bonding, helping and a lot of eating going on.  Our graceful “pages” (fellow SCBWI’ers)  Donna Bratton and Carmen Oliver kept us supplied with coffee, scrambled egg kolaches, chocolates, juice and jokes (bad pun jokes — relentless pantomiming on the theme “turning pages”,  “flipping pages.” At one point they donned tunics with labels: “Page #1” and “Page #2.”)

The founder and first regional adviser of our Austin SCBWI chapter, Meredith Davis was there, along with our current RA Tim Crow and former RA Julie Lake and our 90 year old member Betty X. Davis, who frequently outpaces us.  Participant Gene Brenek wrote later, “These relationships have been years in the making.” It was true and probably contributed to all the magic we felt around us. Still, not  everyone present was an Awesome Austin writer. You see, Awesome writer Varsha Bajaj joined us from the Houston SCBWI chapter. She became one of us quickly, though.

Taking time out from their pagination, Donna Bratton (left) and Carmen Oliver (right) visit with author Lindsey Lane at the Saturday night party at author Helen Hemphill's home

Taking time out from their paginations, Donna Bratton(left) and Carmen Oliver (right) visit with author Lindsey Lane at the Saturday night party at author Helen Hemphill's home. (Photo by Cynthia Leitich Smith.)

We enjoyed a relaxing Saturday night party in the lovely loft residence of YA author Helen Hemphill and her husband Neil. Children’s writers settled right in to flowing wine, a spectacular catered supper and twinkling night views of the downtown.

Sunday around lunchtime everyone drove home in shock, as I’ve explained above. Many, after recovering somewhat, went straight to blogging about their experience, which is why the Awesome Austin Writers Workshop is all over the Internet today, as it should be.

I’ll borrow the list of attendees from Cynthia’s blog Cynsations.

Here are some of the blogposts::

Jo Whittemore, Julie Lake, Liz Scanlon and Betty Davis prepare for the next critique round. (Photo by Cynthia Leitich Smith)

Jo Whittemore, Julie Lake, Liz Scanlon and Betty Davis prepare for the next critique round. (Photo by Cynthia Leitich Smith)

Mark Mitchell, who wrote this, teaches a summer class in “How to Illustrate Children’s Books” beginning next Tuesday, July 15 at the Art School Austin Museum of Art Art School at 3809 West 35th Street, Austin, Texas 78703.  The class will run Tuesday nights from 6 to 9 p.m. through August 19. For more information on any of the AMOA summer art classes (for adults or children) call the Art School at (512) 323-6380 or visit the AMOA  website.