Conference debrief

More than 200 children’s book writers and illustrators (aspiring and professional) converged on a little Unitarian church just north of Austin for the 2010 Destination Publication SCBWI conference January 30.

Poet Liz Garton Scanlon and Illustrator Marla Frazee

Poet Liz Garton Scanlon and Illustrator Marla Frazee talk about their many months of collaboration with each other and Beach Lane Books V.P. and publisher Allyn Johnston who was their editor.

Guests and speakers arrived from Texas and everywhere for a day of inspiring presentations and professional critiques of manuscripts and portfolios.

“The most expensive people — all  those who were trained by the great editors Ursula Nordstrom and Margaret McElderry are gone,” agent and former editor Mark McVeigh said in his rivetting keynote,  “Defending Your Muse.”

Still children’s publishing is  “not an industry in ruins, but in transition,” he continued.  He spoke about the emerging digital media and mobile media (Kindle, iPhone, etc.) marketplace.  But he kept returning to the sovereignty of language, individual creativity — and the Emily Dickinson poem he keeps in his wallet.  You can read  Mark’s recapping of his time with us in Austin and see the full text of the Dickinson poem  on his agency blog .

Later in the day  Curtis Brown agent Nathan Bransford elicited a gasp or two with his comment that he sees 15,000 to 20,000 submissions a year and might take  four to five clients per year from that pile. Yet his presentation hit inspiring notes.  He refers to the Austin conference in his publishing news packed- blog.

Liz reads one of Marla's e-mails

Liz reads one of Marla's e-mails

“Designing the ‘page-turns‘ is the most important thing,” asserted two-time Caldecott Honor illustrator Marla Frazee in an extraordinary presentation on the the picture book creation process.

“Use the page turn in the narrative when you want the mood to shift and your images to really stand out,”  she continued.

“Save diagonals for the most dramatic parts of your story. They’re like exclamation marks!”

Marla demonstrated how she filled the imagery for  All the World (2010 Caldecott Honor book penned by Austin poet Liz Garton Scanlon) with imagery from her own life  — landscapes of the central California coast,  her grandfather,  a favorite cafe — even the outdoor chairs and tables from the student union of her alma mater — props, settings and people that mattered a great deal for her.

A wonderful interview by Julie Danielson in her blog Seven Impossible Things Before Breakfast will give you a sense of the presentation by Marla and Liz and contains much of the same imagery.

In a special breakout session with the illustrators Marla discussed the artist’s voice, characterization and setting as the  foundation for illustrating books for children.

“I’ll start with a sketch trying to get to know the character. It’s about digging into the character.”It doesn’t have to be complicated. If you can get the reader to feel the emotion your character is feeling,  you’ve won most of the battle.”

As for setting,  details are important. “It should feel like you’re opening up a world.

“It’s really a matter of putting the time in.”

Marla-and-cafe-scene

Poet Liz Garton Scanlon watches illustrator Marla Frazee discuss the cafe scene in the 2010 Caldecott Honor Book "All the World"

spread from "All the World"

spread from "All the World"

Frances Yansky's portfolio in the illustrators' portfolio display room.

Marla-and-lunchroom

Marla Frazee (bottom left) visits with attendees at the conference breakfast

While the illustrators soaked up Marla’s words and instructive  slides,  writers were treated to presentations by Newbery Honor author Kirby Larson, agent Andrea Cascardi (Transatlantic Literary Agency) ,  Editors  Cheryl  Klein (Arthur A. Levine Books/Scholastic) and  Stacy Cantor (Bloomsbury, USA), writer and former Farrar, Straus and Giroux editor Lisa Graf, and author Sara Lewis Holmes.

Attendees also heard from our own power gang of authors Liz Garton Scanlon, Sibert Honor author Chris BartonNewbery Honor author Jacqueline Kelly and Shana BurgPhilip Yates, Jennifer Ziegler, Jessica Lee Anderson and P.J. Hoover and power illustrator Patrice Barton in a fun panel discussion moderated by author Julie Lake (a former regional advisor of Austin SCBWI)

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Long time Austin SCBWI illustration chair Christy Stallop

Longtime Austin SCBWI illustration chair Christy Stallop.

Illustrator and writer Erik Kuntz

Illustrator and writer Erik Kuntz shows illustrator pals a picture from his book " A Dog a Day"

Conference illustrators' hangout

Illustrators had their own portable building to hang out in. Left to right around the circle starting with Christy Stallop are Amy Farrier, Clint Young, Mike Benny, Don Tate, Kim Edge, Jamie Adams, Erik Kuntz and Diandra Mae

Here’s an Austin SCBWI round-up (so far) of blogposts on the conference:

Marla Frazee shows an early storyboard for "All the World"

Marla Frazee shows an early storyboard for "All the World"

Audrey and Amy Farrier

Audrey and Amy Farrier

Rumor has it there was a national SCBWI conference in New York City that same weekend.

OKAY,  it wasn’t a rumor.  It was the giant Winter Conference. Here’s the SCBWI team blog coverage of that major annual event that somehow messed up and booked the same date as ours.

* * * * *

Author-illustrator Mark Mitchell hosts this blog and teaches the  self paced course  Make Your Splashes; Make Your Marks! Drawing and Painting for Children’s Book Illustration.

Newbery Honor author Kirby Larson and Mark Mitchell

Newbery Honor author Kirby Larson and author-illustrator Mark Mitchell

Success panel

In the line up photo of the panel, Regional adviser Tim Crow is introducing the panel and left to right are Jessica Lee Anderson, Chris Barton, Patrice Barton, Shana Burg, Julie Lake, Jacqueline Kelly, P.J. Hoover, Liz Garton Scanlon, Philip Yates and Jennifer Ziegler.

In the line up photo of the panel, Regional advisor Tim Crow is introducing the panel and left to right are Jessica Lee Anderson, Chris Barton, Patrice Barton, Shana Burg, Julie Lake, Jacqueline Kelly, P.J. Hoover, Liz Garton Scanlon, Philip Yates and Jennifer Ziegler.

Scene by Marla Frazee from "All the World"

Scene by Marla Frazee from "All the World"

Illustrators decorated mirror frames for the silent auction.

Illustrators decorated mirror frames for the silent auction. Assemblage photo by Christy Stallop

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ALA honors for Austin authors; SCBWI conferences and illustration classes for you

It’s been a landmark week for Austin children’s writers.  Three of our gang scored top honors– a Caldecott Honor, a Sibert Honor and a Newbery Honor from the American Library Association.

Evolution of Calpurnia Tate by Jacqueline Kelly

Evolution of Calpurnia Tate by Jacqueline Kelly

Our Austin, Texas  chapter of the Society of Children’s Book Writers (SCBWI) is a little dazed after last weekend’s 2010 award announcements.  Austin’ s Jacqueline Kelly received a Newbery Honor for her YA novel The Evolution of Calpurnia Tate about a girl growing up at the turn of the 19th century.  The  picture book poem All the World penned by Liz Garton Scanlon of Austin and illustrated by Marla Frazee was named one of the two Caldecott Honor books. (Frazee’s second Caldecott Honor.)

All the World

"All the World" by Liz Garton Scanlon, illustrated by Marla Frazee

The Day Glo Brothers by Chris Barton and illustrated by Tony Persiani

And The Day-Glo Brothers written by Chris Barton of Austin and illustrated with retro lines and Day-Glo colors by Tony Persiani won a Sibert Honor for children’s  nonfiction.  (From the ALA – “The Robert F. Sibert Informational Book Medal is awarded annually to the author(s) and illustrator(s) of the most distinguished informational book published in English during the preceding year.”)

Our SCBWI chapter claims all three of these writers and we’ll claim Frazee, too.  So that makes four.

All four,  as it just so happens  had been scheduled to present at the Austin SCBWI regional 2010 conference “Destination Publication” next weekend (January 30) with an already honors heavy lineup of authors, editors and agents. Marla  is giving the keynote address along with Newbery Honor author Kirby Larson (Hatti Big Sky)

Another Texan, Libba Bray won the Michael L. Printz Award for Excellence in Young Adult Literature for her novel Going Bovine. We’ll claim her, too — so that’s five.

The Lion and the Mouse by Jerry Pinkney - 2010 Caldecott Medal

The Caldecott Medal, the most prestigious award for children’s book illustration in the United States  went to Jerry Pinkney for his wordless telling of the Aesop’s Fable The Lion and the Mouse.

The Theodor Seuss Geisel Award for most distinguished beginning reader book went to Benny and Penny in the Big No-No!, written and illustrated by Geoffrey Hayes. We discussed Benny and Penny and other Toon Books in previous post.

Cheers and tears

Many of my Facebook buds are SCBWI  illustrators and writers. You should have seen how they were afire this week with exclamations, congratulations and jubilations over Austin’s harvest of trophies.

A number of our tribe were out of town at the Vermont College of Fine Arts for a residency semester for the MFA in writing for children and young adults. Their FB reports segued from fascinated discussions of snow and cold to tearful excitement over the ALA announcements (especially pertaining to Texas) which they followed on a streaming net feed projected on a large screen in the venerable campus lunchroom.

There are stories behind the stories as there usually are.  For example —  the 23 rejections for The Day-Glo Brothers before the manuscript was accepted by Charlesbridge then a five year wait before the  book rolled off the presses. You can read a little about its  nine year journey to publication on Chris’s blog Bartography.

Liz has her own story about coming to an impasse in her writing — until an editor’s chance comment got her riffing  again on a string of rhymes and word images, which turned into All the World.  I hope you get to hear or read her account of her process one day.  Liz and Marla will discuss their collaboration on the book at the Austin conference.

Texas Conferences

I keep hitting them here, but here are the links again.  You can download PDF information, schedules and enrollment forms. Austin SCBWI’s “Destination Publication” (January 30th) was nearly sold out, but here  you go; there might be a spot left. At last report there were still a couple of portfolio critique slots open with the wonderful illustrator, Patrice Barton. She’s the other illustrator in the day’s faculty lineup.

The Houston SCBWI conference is February 20 and will feature author Cynthia Leitich Smith, senior editors from Simon &  Schuster Books for Young Readers and Scholastic Inc.  and the art director for Henry Holt Books for Young Readers, Patrick Collins, who will review portfolios.  Collins also will teach a special breakout workshop for illustrators on “Making a Picture Book Dummy” during the day.  It’s an opportunity  not to miss.

Let’s take a break…

And see this fun video that’s remarkable for its characterizations and dialogue.  Animator  Caroline Ting overheard the two boys talking in a comic book store and used them as the voice actors for her little film she titled RAM (Random Access Memory) about…well,  an addiction peculiar to the 21st century (and I’m not talking about Farmville. ) I recognized  myself in it and you might, too.

Animals in the classroom?

For anyone living in the heart of Texas I’ll be teaching spring semester classes in children’s book illustration beginning next week at the Art School of the Austin Museum of Art .  The  six week  “Level 1” class begins next Wednesday evening 6 to 9 p.m.  January 27 — and runs through March 10 (with no class February 17. )

Level II is set for Tuesday evenings 6 to 9 p.m. March 23 – April 20 (five sessions.)  To register or if you have any questions contact the Art School at (512) 323-6380 or go to the website: www.amoa.org/artschool

If you want to take a course but live nowhere near Central Texas,  remember you have an online home-study option,  Make Your Splashes; Make Your Marks! Drawing and Painting for Children’s Book Illustration

Childrens Book Illustration class at the AMOA Art School at Laguna Gloria

Austin Museum of Art Art School at the Laguna Gloria campus, Children’s Book Illustration fall semester 2009.  Left to righ: Anney Rehm, Paula Engelhardt, Laura Smith, Naomi Smith, Halli Hollister, and April Richardson and some guinea pig friends.

Author-illustrator Mark Mitchell hosts this blog.  He teaches children’s book illustration at the Art School at the Austin Museum of Art and through the “Make Your Splashes; Make Your Marks!” online course.

Have you drawn an animal today?

Knowing as we do that drawing children, people and  animals is the stock in trade of the children’s book illustrator, let’s draw a difficult animal subject today.

We’ve brought in guest instructor Jon Gnagy to help walk us through it.

Gnagy was the best drawing teacher (maybe the only drawing teacher?)  on television.  He taught Andy Warhol and millions of other American kids to draw during the 1950’s.

I can’t say that he taught me exactly, though maybe he did, but he was a little advanced.  I was all of three years old when my mother (a painter) and I would watch his show together.

But I think he planted lots of seeds and questions in my unconscious. I remember even at that tender age being flabbergasted by his demos. “How does he know  this stuff?” I remember asking myself.  I still wonder about that.

‘Old School’ drawing doesn’t seem to go out of style.  It doesn’t matter if it’s in a courthouse mural by Thomas Hart Benton or a children’s book illustration by Marla Frazee or Tasha Tudor or Robert McCloskey. It just always stays cool. Ask any kid.

The graphic images Marla Frazee renders with such assurance resemble the classic book illustrations of — well, the Jon Gnagy days, the 1950s. They don’t feel  ‘dated’ because they bring us kids, people, animals and landscapes that kids (and the kid in us) can relate to. These subjects when rendered capably seem only to accrue in value.

For a better look at Marla’s work, here’s an animated trailer for All the World,  a picture book illustrated by Frazee and penned by poet Liz Garton Scanlon.

Liz Garton Scanlon

Liz Garton Scanlon addresses the Austin chapter of the Society of Children's Book Writers and Illustrators (SCBWI) on a packed second floor of Austin's famous independently owned bookstore, BookPeople.

Yes, I know that both of them and the book and Jon Gnagy, too have been on this blog before. (Good subjects deserve repeated mentions. )

Scanlon and Frazee are scheduled to talk about their work together at the Austin SCBWI (Society of Children’s Book Writers and Illustrators) annual conference Destination Publication on Saturday Saturday, January 30, 2010.  Caldecott Honor artist Frazee will deliver the keynote for illustrators  and also reviewportfolios, as will talented  illustrator Patrice Barton.

Find the full conference  lowdown and registration form here.

Henry Holt Books for Young Readers Creative Director Patrick Collins will review portfolios a month later  at the Houston SCBWI  conference.

Mark your calendars for  Saturday, February 20, 2010 and download information and a registration form for the Houston conference  here.

Liz Garton Scanlon
Liz Garton Scanlon speaks on intuition at the November 7 meeting of Austin SCBWI.
Liz Garton Scanlon
An editor told Liz that she had “an eye for observation and an ear for rhyme.”
So she focused on these strengths to produce her picture book poem All the World that is now garnering great reviews and making all the right 2009 book lists, including most recently a Parents’ Choice Gold Medal.
* * * * *

Author-illustrator Mark Mitchell hosts this blog. Mark teaches children’s book illustration at the Art School at the Austin Museum of Art and through the “Make Your Splashes; Make Your Marks!” online course.


ck Collins of

Art and Letters

So many colleagues from the Austin children’s and YA writing community spoke on panels and signed their new books at the 2009 Texas Book Festival this past weekend.  I always enjoy this 2.5 day party on the state capitol grounds.  But I could not go this time because I was on an illustration deadline.

So Saturday afternoon while looking for music on You Tube to ink my drawings by,  I stumbled upon “Foreign Letters” by Israeli singer, composer-arranger Chava Alberstein.  Here’s her performance at a Berlin concert with the Klezmatics.  (You have to click on the “Watch on You Tube”  link.  It’s  worth it.  She’s a spellbinder.)

“Oh, how beautiful. I love foreign letters,” she sings. “They are like drawings. They are like secret signs from magic places, from different worlds.”

Alberstein’s music is typically ravishing.  For her though, it’s about words and language.  She says so herself in songs and interviews.

Chava’s song and the book festival happening downtown got me thinking about the graphic statement of the written word —  of how text =  images and the  alphabets of the world derive from pictures.

On Monday I was reading  a new blogpost by comics creator and teacher Scott McCloud discussing the presentation of text in graphic novels. McCloud linked to an interview with Todd Klein, the graphic artist who did the lettering for Neil Gaiman’s The Sandman series, which required Klein to invent a different font for each character! You can read the interview here.

I thought of children’s author Charles Ghigna, aka Father Goose who posts a new poem on his blog each week full of word pictures for “teachers, librarians, parents friends …and kids.

I found myself reaching for Liz Garton Scanlon‘s resonant new picture book All the World with illustrations by Marla Frazee that happened to be lying by my computer.  Publishers Weekly has just named it to its list of  Best Children’s Books of 2009.

9781416985808

"All the World" by Liz Garton Scanlon and Marla Frazee

Yes — it was as I remembered!
Her poem text was rendered in
pencil.

Or else set in one very
cleverly executed font.

I contacted Liz to find out which.
She’s one of the leading lights in our Austin SCBWI chapter.

Did Marla Frazee hand letter the text?
I asked her.

“Yep,” she replied.

One more celebration of letters on the page!

“…Letters that are the beginning of everything good and bad in this world. With letters you can create anything you want. You can create disasters.  And you can create hopes and dreams — good dreams.” — Chava Alberstein

Two other authors from the  Austin SCBWI gang have books on PW‘s list of best children’s books of the year.  The Day-Glo Brothers: The True Story of Bob and Joe Switzer’s Bright Ideas and Brand-New Colors by Chris Barton, illus. by Tony Persiani (Charlesbridge) and The Evolution of Calpurnia Tate, by Jacqueline Kelly (Holt.)

This just in: The New York Times releases its “Best Illustrated Children’s Books of 2009” list tomorrow (Saturday, November 7. ) Yes, you’ve already guessed it:  All the World, by Liz Garton Scanlon with illustrations by Marla Frazee  made the list (and it’s a pretty short list.)

Have your portfolio reviewed by Caldecott Honor illustrator Marla Frazee or the wonderfully talented Patrice Barton at the Austin SCBWI (Society of Children’s Book Writers and Illustrators) annual conference Destination Publication on Saturday Saturday, January 30, 2010. Find the full lowdown and registration form here

And have it reviewed a month later by Patrick Collins, Creative Director of Henry Holt Books for Young Readers  at the Houston SCBWI  conference Saturday, February 20, 2010. Download information and a registration form  here.

Mark Mitchell, who wrote this post,  teaches children’s book illustration at the Art School at the Austin Museum of Art and online. You can learn about his online course here and receive some free drawing videos and a lesson.

example of Glagolitic alphabet

The Glagolitic Alphabet in action: Codex Zographensis from Medieval Bulgaria

One Illustration Reverie; Two Real Deals

What does this short animated clip have to do with John Singer Sargent or children’s book illustration?

A quoi ca sert l’amour,  a short animation by Louis Clichy, with thanks to illustrator  and animation/game artist Amanda Williams for finding this.  She called  it “brutal and adorable.”

If a child-friendly story had illustrations with these lines — and visual characters as memorable as these  and color the way John Singer Sargent used it in his painted scenes, it would be some picture book, right?

I’m assembling a fantasy football — I mean  illustration project  — team here.

So, starting with the cartoon:  What makes these stick figures tug at your emotions as they do?

The honesty of the emotions depicted?

The “simple” (oh-so-sophisticated) graphics with their varied perspectives and 360 degree “camera revolutions”?

All the fast cutting and the surprise transitions?

The song?  Edith Piaf’s and Theo Sarapo’s singing?

The subject?

Could some of this aplomb be translated into picture book illustrations?

OK,  so let’s add some color and texture.  John Singer Sargent had a knack  for such things. Thanks to Chicago based painter Raymond Thornton for finding this.

I know.  Sargent is the painter who gives all other painters inferiority complexes.  We don’t know a lot about how he made his palette choices. (We know that he looked carefully.)

So enough with dream teaming. We’ve got some news today.

Two power chapters of the Society of Children’s Book Writers and Illustrators (SCBWI) have announced their 2010 pow-wows — both set for early next year.

It’s Time to Mingle in Texas

State Capitol in Austin, Texas

State Capitol in Austin, Texas

Awesome Austin

Austin SCBWI comes first with Destination Publication featuring  a Caldeecott Honor Illustrator and Newberry Honor Author, along with agents, editors, more authors, another fab illustrator, critiques, portfolio reviews and parties.

Mark the date — Saturday, January 30, 2010,  8:00 a.m. – 5:30 p.m.  Get the full lowdown and the registration form here. Send in your form pronto if you’re interested — more than 100 people have already signed up. Manuscript crtiques are already sold out. But a few portfolio reviews are still open at this writing!

Destination Publication features Kirby Larson, author of the 2007 Newbery Honor Book, Hattie Big Sky and Marla Frazee, author-illustrator of A Couple of Boys Have the Best Week Ever, which received a Caldecott Honor Award, and more recently All the World penned (all 200 words of it) by Austin’s own children’s author/poet Liz Garton Scanlon.

Frazee teaches children’s book illustration at Art Center College of Design in Pasadena, CA.  She and Scanlon will talk about their collaboration on All the Worldt. You can read each of their stories  Behind The Book at a Simon & Schuster webpage here.

"All the World" by Liz Garton Scanlon and Marla Frazee

"All the World" by Liz Garton Scanlon and Marla Frazee

The  one-day faculty also includes:

Cheryl Klein, senior editor at Arthur A. Levine Books/Scholastic.

Lisa Graff, Associate Editor at Farrar, Straus and Giroux Books for Young Readers.

Stacy Cantor, Editor, Bloomsbury USA/Walker  Books For Young Readers.

Andrea Cascardi agent with Transatlantic Literary Agency (and a former editor.)

Mark McVeigh another former editor who represents writers, illustrators, photographers and graphic novelists for both the adult and children’s markets.

Nathan Bransford, agent.

The conference  will also showcase authors  Sara Lewis Holmes, Shana Burg, P. J. Hoover, Jessica Lee Anderson, Chris Barton, Jacqueline Kelly, Jennifer Ziegler, Philip Yates and illustrator Patrice Barton.

Read more about everyone here.

Happenin’ Houston

Houston SCBWI has announced a still developing  lineup for its conference just three weeks after Austin’s:   Saturday, February 20, 2010.  Registration has just opened.

Headliners here:

Cynthia Leitich Smith, acclaimed author of short stories, funny picture books, Native American fiction, and YA Gothic fantasies. Faculty member, Vermont College of Fine Arts.

Ruta Rimas, assistant editor Balzer & Bray/HarperCollin.

Rosa

Rosa

Patrick Collins, creative director at Henry Holt Books for Young Readers. Collins art directs and designs picture books, young adult novels and middle grade fiction (Baby Bear, Baby Bear, What Do You See?, Old Penn Station and Rosa, a Caldecott Honor book.)

Also featured: Alexandra Cooper,  senior editor at Simon & Schuster Books for Young Readers, Lisa Ann Sandell,  senior editor at Scholastic Inc., and Sara Crowe, a New York agent with Harvey Klinger, Inc.

Download their bios, more Houston conference info and a registration form from this page. No, you don’t have to be Texan to register for either of these “big as Texas” events.

Mark Mitchell teaches children’s book illustration at the Austin Museum of Art Art School — and online. Learn the best drawing secret free here.

Awesome Austin Writers roll up their T-shirt sleeves

Awesome Austin Writers Workshop in session

Awesome Austin Writers Workshop in session (Photo by Cynthia Leitich Smith)

A mega-critique of 26 children’s and YA published and soon-to-be-published authors, the Awesome Austin Writers Workshop  ended Sunday, June 29, and everyone drove home in shock.  Shock because it was over and had gone so well and we realized  that we weren’t coming back to hang out with each other again the next day.

The workshop took place in the 1920s-vintage Austin, Texas home of authors Greg and Cynthia Leitich Smith.

Cynthia, who teaches in the children’s and young adult writing MFA program at the Vermont College of Fine Arts thought up and organized the event with help from her author-attorney husband, Greg and other friends from the Austin chapter of SCBWI (Society of Children’s Book Writers and Illustrators.)  

For three days she led the critiques in a tour de force of quick wit, good fun, practical erudition, zinging (as opposed to stinging) professional insight and Kansas Pioneer Woman stamina. 

Months before we’d been asked to submit up to ten pages of our works in progress. These were the beginnings of picture books, parts of YA novels and sci-fantasy chapter books, poems and nonfiction stories. Each writer got 40-45 minutes of vociferous attention from the group, moderated by Cynthia. 

Liz Scanlon, Alison Dellenbaugh, Erin Edwards, Phillip Yates get their papers in order. April Lurie is in the background. (Photo courtesy of Cynthia Leitich Smith.)

Liz Scanlon, Alison Dellenbaugh, Erin Edwards and Phillip Yates get their papers in order. April Lurie is in the background. (Photo courtesy of Cynthia Leitich Smith.)

It’s an odd sensation to be on the receiving end of so much focus — 26 bright minds reacting to your prose or verse, while you’re not allowed to talk back. It feels like a surgical procedure is being done — a double cataract removal. 

Like the other dazed & AAWW’ed patients after their operations, I got my copies back scribbled with thoughts, kudos, suggestions for fixes, often accompanied by typed notes. We clutched our precious stacks like they were our medical charts and we were on our gurneys in the recovery room.

Since I was one of two illustrators present, I was invited to pass around a couple of sketches to accompany my picture book offering — for additional AAWW-some scrutiny.

There was a lot of sharing, bonding, helping and a lot of eating going on.  Our graceful “pages” (fellow SCBWI’ers)  Donna Bratton and Carmen Oliver kept us supplied with coffee, scrambled egg kolaches, chocolates, juice and jokes (bad pun jokes — relentless pantomiming on the theme “turning pages”,  “flipping pages.” At one point they donned tunics with labels: “Page #1” and “Page #2.”)

The founder and first regional adviser of our Austin SCBWI chapter, Meredith Davis was there, along with our current RA Tim Crow and former RA Julie Lake and our 90 year old member Betty X. Davis, who frequently outpaces us.  Participant Gene Brenek wrote later, “These relationships have been years in the making.” It was true and probably contributed to all the magic we felt around us. Still, not  everyone present was an Awesome Austin writer. You see, Awesome writer Varsha Bajaj joined us from the Houston SCBWI chapter. She became one of us quickly, though.

Taking time out from their pagination, Donna Bratton (left) and Carmen Oliver (right) visit with author Lindsey Lane at the Saturday night party at author Helen Hemphill's home

Taking time out from their paginations, Donna Bratton(left) and Carmen Oliver (right) visit with author Lindsey Lane at the Saturday night party at author Helen Hemphill's home. (Photo by Cynthia Leitich Smith.)

We enjoyed a relaxing Saturday night party in the lovely loft residence of YA author Helen Hemphill and her husband Neil. Children’s writers settled right in to flowing wine, a spectacular catered supper and twinkling night views of the downtown.

Sunday around lunchtime everyone drove home in shock, as I’ve explained above. Many, after recovering somewhat, went straight to blogging about their experience, which is why the Awesome Austin Writers Workshop is all over the Internet today, as it should be.

I’ll borrow the list of attendees from Cynthia’s blog Cynsations.

Here are some of the blogposts::

Jo Whittemore, Julie Lake, Liz Scanlon and Betty Davis prepare for the next critique round. (Photo by Cynthia Leitich Smith)

Jo Whittemore, Julie Lake, Liz Scanlon and Betty Davis prepare for the next critique round. (Photo by Cynthia Leitich Smith)

Mark Mitchell, who wrote this, teaches a summer class in “How to Illustrate Children’s Books” beginning next Tuesday, July 15 at the Art School Austin Museum of Art Art School at 3809 West 35th Street, Austin, Texas 78703.  The class will run Tuesday nights from 6 to 9 p.m. through August 19. For more information on any of the AMOA summer art classes (for adults or children) call the Art School at (512) 323-6380 or visit the AMOA  website.