ALA honors for Austin authors; SCBWI conferences and illustration classes for you

It’s been a landmark week for Austin children’s writers.  Three of our gang scored top honors– a Caldecott Honor, a Sibert Honor and a Newbery Honor from the American Library Association.

Evolution of Calpurnia Tate by Jacqueline Kelly

Evolution of Calpurnia Tate by Jacqueline Kelly

Our Austin, Texas  chapter of the Society of Children’s Book Writers (SCBWI) is a little dazed after last weekend’s 2010 award announcements.  Austin’ s Jacqueline Kelly received a Newbery Honor for her YA novel The Evolution of Calpurnia Tate about a girl growing up at the turn of the 19th century.  The  picture book poem All the World penned by Liz Garton Scanlon of Austin and illustrated by Marla Frazee was named one of the two Caldecott Honor books. (Frazee’s second Caldecott Honor.)

All the World

"All the World" by Liz Garton Scanlon, illustrated by Marla Frazee

The Day Glo Brothers by Chris Barton and illustrated by Tony Persiani

And The Day-Glo Brothers written by Chris Barton of Austin and illustrated with retro lines and Day-Glo colors by Tony Persiani won a Sibert Honor for children’s  nonfiction.  (From the ALA – “The Robert F. Sibert Informational Book Medal is awarded annually to the author(s) and illustrator(s) of the most distinguished informational book published in English during the preceding year.”)

Our SCBWI chapter claims all three of these writers and we’ll claim Frazee, too.  So that makes four.

All four,  as it just so happens  had been scheduled to present at the Austin SCBWI regional 2010 conference “Destination Publication” next weekend (January 30) with an already honors heavy lineup of authors, editors and agents. Marla  is giving the keynote address along with Newbery Honor author Kirby Larson (Hatti Big Sky)

Another Texan, Libba Bray won the Michael L. Printz Award for Excellence in Young Adult Literature for her novel Going Bovine. We’ll claim her, too — so that’s five.

The Lion and the Mouse by Jerry Pinkney - 2010 Caldecott Medal

The Caldecott Medal, the most prestigious award for children’s book illustration in the United States  went to Jerry Pinkney for his wordless telling of the Aesop’s Fable The Lion and the Mouse.

The Theodor Seuss Geisel Award for most distinguished beginning reader book went to Benny and Penny in the Big No-No!, written and illustrated by Geoffrey Hayes. We discussed Benny and Penny and other Toon Books in previous post.

Cheers and tears

Many of my Facebook buds are SCBWI  illustrators and writers. You should have seen how they were afire this week with exclamations, congratulations and jubilations over Austin’s harvest of trophies.

A number of our tribe were out of town at the Vermont College of Fine Arts for a residency semester for the MFA in writing for children and young adults. Their FB reports segued from fascinated discussions of snow and cold to tearful excitement over the ALA announcements (especially pertaining to Texas) which they followed on a streaming net feed projected on a large screen in the venerable campus lunchroom.

There are stories behind the stories as there usually are.  For example —  the 23 rejections for The Day-Glo Brothers before the manuscript was accepted by Charlesbridge then a five year wait before the  book rolled off the presses. You can read a little about its  nine year journey to publication on Chris’s blog Bartography.

Liz has her own story about coming to an impasse in her writing — until an editor’s chance comment got her riffing  again on a string of rhymes and word images, which turned into All the World.  I hope you get to hear or read her account of her process one day.  Liz and Marla will discuss their collaboration on the book at the Austin conference.

Texas Conferences

I keep hitting them here, but here are the links again.  You can download PDF information, schedules and enrollment forms. Austin SCBWI’s “Destination Publication” (January 30th) was nearly sold out, but here  you go; there might be a spot left. At last report there were still a couple of portfolio critique slots open with the wonderful illustrator, Patrice Barton. She’s the other illustrator in the day’s faculty lineup.

The Houston SCBWI conference is February 20 and will feature author Cynthia Leitich Smith, senior editors from Simon &  Schuster Books for Young Readers and Scholastic Inc.  and the art director for Henry Holt Books for Young Readers, Patrick Collins, who will review portfolios.  Collins also will teach a special breakout workshop for illustrators on “Making a Picture Book Dummy” during the day.  It’s an opportunity  not to miss.

Let’s take a break…

And see this fun video that’s remarkable for its characterizations and dialogue.  Animator  Caroline Ting overheard the two boys talking in a comic book store and used them as the voice actors for her little film she titled RAM (Random Access Memory) about…well,  an addiction peculiar to the 21st century (and I’m not talking about Farmville. ) I recognized  myself in it and you might, too.

Animals in the classroom?

For anyone living in the heart of Texas I’ll be teaching spring semester classes in children’s book illustration beginning next week at the Art School of the Austin Museum of Art .  The  six week  “Level 1” class begins next Wednesday evening 6 to 9 p.m.  January 27 — and runs through March 10 (with no class February 17. )

Level II is set for Tuesday evenings 6 to 9 p.m. March 23 – April 20 (five sessions.)  To register or if you have any questions contact the Art School at (512) 323-6380 or go to the website: www.amoa.org/artschool

If you want to take a course but live nowhere near Central Texas,  remember you have an online home-study option,  Make Your Splashes; Make Your Marks! Drawing and Painting for Children’s Book Illustration

Childrens Book Illustration class at the AMOA Art School at Laguna Gloria

Austin Museum of Art Art School at the Laguna Gloria campus, Children’s Book Illustration fall semester 2009.  Left to righ: Anney Rehm, Paula Engelhardt, Laura Smith, Naomi Smith, Halli Hollister, and April Richardson and some guinea pig friends.

Author-illustrator Mark Mitchell hosts this blog.  He teaches children’s book illustration at the Art School at the Austin Museum of Art and through the “Make Your Splashes; Make Your Marks!” online course.

Art and Letters

So many colleagues from the Austin children’s and YA writing community spoke on panels and signed their new books at the 2009 Texas Book Festival this past weekend.  I always enjoy this 2.5 day party on the state capitol grounds.  But I could not go this time because I was on an illustration deadline.

So Saturday afternoon while looking for music on You Tube to ink my drawings by,  I stumbled upon “Foreign Letters” by Israeli singer, composer-arranger Chava Alberstein.  Here’s her performance at a Berlin concert with the Klezmatics.  (You have to click on the “Watch on You Tube”  link.  It’s  worth it.  She’s a spellbinder.)

“Oh, how beautiful. I love foreign letters,” she sings. “They are like drawings. They are like secret signs from magic places, from different worlds.”

Alberstein’s music is typically ravishing.  For her though, it’s about words and language.  She says so herself in songs and interviews.

Chava’s song and the book festival happening downtown got me thinking about the graphic statement of the written word —  of how text =  images and the  alphabets of the world derive from pictures.

On Monday I was reading  a new blogpost by comics creator and teacher Scott McCloud discussing the presentation of text in graphic novels. McCloud linked to an interview with Todd Klein, the graphic artist who did the lettering for Neil Gaiman’s The Sandman series, which required Klein to invent a different font for each character! You can read the interview here.

I thought of children’s author Charles Ghigna, aka Father Goose who posts a new poem on his blog each week full of word pictures for “teachers, librarians, parents friends …and kids.

I found myself reaching for Liz Garton Scanlon‘s resonant new picture book All the World with illustrations by Marla Frazee that happened to be lying by my computer.  Publishers Weekly has just named it to its list of  Best Children’s Books of 2009.

9781416985808

"All the World" by Liz Garton Scanlon and Marla Frazee

Yes — it was as I remembered!
Her poem text was rendered in
pencil.

Or else set in one very
cleverly executed font.

I contacted Liz to find out which.
She’s one of the leading lights in our Austin SCBWI chapter.

Did Marla Frazee hand letter the text?
I asked her.

“Yep,” she replied.

One more celebration of letters on the page!

“…Letters that are the beginning of everything good and bad in this world. With letters you can create anything you want. You can create disasters.  And you can create hopes and dreams — good dreams.” — Chava Alberstein

Two other authors from the  Austin SCBWI gang have books on PW‘s list of best children’s books of the year.  The Day-Glo Brothers: The True Story of Bob and Joe Switzer’s Bright Ideas and Brand-New Colors by Chris Barton, illus. by Tony Persiani (Charlesbridge) and The Evolution of Calpurnia Tate, by Jacqueline Kelly (Holt.)

This just in: The New York Times releases its “Best Illustrated Children’s Books of 2009” list tomorrow (Saturday, November 7. ) Yes, you’ve already guessed it:  All the World, by Liz Garton Scanlon with illustrations by Marla Frazee  made the list (and it’s a pretty short list.)

Have your portfolio reviewed by Caldecott Honor illustrator Marla Frazee or the wonderfully talented Patrice Barton at the Austin SCBWI (Society of Children’s Book Writers and Illustrators) annual conference Destination Publication on Saturday Saturday, January 30, 2010. Find the full lowdown and registration form here

And have it reviewed a month later by Patrick Collins, Creative Director of Henry Holt Books for Young Readers  at the Houston SCBWI  conference Saturday, February 20, 2010. Download information and a registration form  here.

Mark Mitchell, who wrote this post,  teaches children’s book illustration at the Art School at the Austin Museum of Art and online. You can learn about his online course here and receive some free drawing videos and a lesson.

example of Glagolitic alphabet

The Glagolitic Alphabet in action: Codex Zographensis from Medieval Bulgaria