It’s been a landmark week for Austin children’s writers. Three of our gang scored top honors -- a Caldecott Honor, a Sibert Honor and a Newbery Honor — from the American Library Association.
Our Austin, Texas chapter of the Society of Children’s Book Writers (SCBWI) is a little dazed after last weekend’s 2010 award announcements. Austin’ s Jacqueline Kelly received a Newbery Honor for her YA novel The Evolution of Calpurnia Tate about a girl growing up at the turn of the 19th century. The picture book poem All the World penned by Liz Garton Scanlon of Austin and illustrated by Marla Frazee was named one of the two Caldecott Honor books. (Frazee’s second Caldecott Honor.)
And The Day-Glo Brothers written by Chris Barton of Austin and illustrated with retro lines and Day-Glo colors by Tony Persiani won a Sibert Honor for children’s nonfiction. (From the ALA – “The Robert F. Sibert Informational Book Medal is awarded annually to the author(s) and illustrator(s) of the most distinguished informational book published in English during the preceding year.”)
Our SCBWI chapter claims all three of these writers and we’ll claim Frazee, too. So that makes four.
All four, as it just so happens had been scheduled to present at the Austin SCBWI regional 2010 conference “Destination Publication” next weekend (January 30) with an already honors heavy lineup of authors, editors and agents. Marla is giving the keynote address along with Newbery Honor author Kirby Larson (Hatti Big Sky)
Another Texan, Libba Bray won the Michael L. Printz Award for Excellence in Young Adult Literature for her novel Going Bovine. We’ll claim her, too — so that’s five.
The Caldecott Medal, the most prestigious award for children’s book illustration in the United States went to Jerry Pinkney for his wordless telling of the Aesop’s Fable The Lion and the Mouse.
The Theodor Seuss Geisel Award for most distinguished beginning reader book went to Benny and Penny in the Big No-No!, written and illustrated by Geoffrey Hayes. We discussed Benny and Penny and other Toon Books in previous post.
Cheers and tears
Many of my Facebook buds are SCBWI illustrators and writers. You should have seen how they were afire this week with exclamations, congratulations and jubilations over Austin’s harvest of trophies.
A number of our tribe were out of town at the Vermont College of Fine Arts for a residency semester for the MFA in writing for children and young adults. Their FB reports segued from fascinated discussions of snow and cold to tearful excitement over the ALA announcements (especially pertaining to Texas) which they followed on a streaming net feed projected on a large screen in the venerable campus lunchroom.
There are stories behind the stories as there usually are. For example — the 23 rejections for The Day-Glo Brothers before the manuscript was accepted by Charlesbridge then a five year wait before the book rolled off the presses. You can read a little about its nine year journey to publication on Chris’s blog Bartography.
Liz has her own story about coming to an impasse in her writing — until an editor’s chance comment got her riffing again on a string of rhymes and word images, which turned into All the World. I hope you get to hear or read her account of her process one day. Liz and Marla will discuss their collaboration on the book at the Austin conference.
I keep hitting them here, but here are the links again. You can download PDF information, schedules and enrollment forms. Austin SCBWI’s “Destination Publication” (January 30th) was nearly sold out, but here you go; there might be a spot left. At last report there were still a couple of portfolio critique slots open with the wonderful illustrator, Patrice Barton. She’s the other illustrator in the day’s faculty lineup.
The Houston SCBWI conference is February 20 and will feature author Cynthia Leitich Smith, senior editors from Simon & Schuster Books for Young Readers and Scholastic Inc. and the art director for Henry Holt Books for Young Readers, Patrick Collins, who will review portfolios. Collins also will teach a special breakout workshop for illustrators on “Making a Picture Book Dummy” during the day. It’s an opportunity not to miss.
Let’s take a break…
And see this fun video that’s remarkable for its characterizations and dialogue. Animator Caroline Ting overheard the two boys talking in a comic book store and used them as the voice actors for her little film she titled RAM (Random Access Memory) about…well, an addiction peculiar to the 21st century (and I’m not talking about Farmville. ) I recognized myself in it and you might, too.
Animals in the classroom?
For anyone living in the heart of Texas I’ll be teaching spring semester classes in children’s book illustration beginning next week at the Art School of the Austin Museum of Art . The six week “Level 1″ class begins next Wednesday evening 6 to 9 p.m. January 27 — and runs through March 10 (with no class February 17. )
Level II is set for Tuesday evenings 6 to 9 p.m. March 23 – April 20 (five sessions.) To register or if you have any questions contact the Art School at (512) 323-6380 or go to the website: www.amoa.org/artschool
If you want to take a course but live nowhere near Central Texas, remember you have an online home-study option, Make Your Splashes; Make Your Marks! Drawing and Painting for Children’s Book Illustration
Austin Museum of Art Art School at the Laguna Gloria campus, Children’s Book Illustration fall semester 2009. Left to righ: Anney Rehm, Paula Engelhardt, Laura Smith, Naomi Smith, Halli Hollister, and April Richardson and some guinea pig friends.
Author-illustrator Mark Mitchell hosts this blog. He teaches children’s book illustration at the Art School at the Austin Museum of Art and through the “Make Your Splashes; Make Your Marks!” online course.